Beelzebub Collection

The Five ALLs - John Kay
Satirical cartoon by Scottish caricaturist John Kay (1742-1826) entitled The Five All s, depicting five characters and their interpretations of their reltion to All

The Archangel Michael Throwing Satan out of Heaven, from a Catechism by La Bonne Presse, pub. 1912 (colour lithograph)

Paradise Lost: Satan and Beelzebub
3779858 Paradise Lost: Satan and Beelzebub. by Dore, Gustave (1832-83); (add.info.: Paradise Lost, by John Milton: Satan and Beelzebub, having fallen from heaven, are in an abyss of raging fire)

"Satan Rising from the Burning Lake"from Paradise Lost
5615851 " Satan Rising from the Burning Lake" from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Plate 5, from The Life of William Cobbett, written by himself, pub. by H
XJF129849 Plate 5, from The Life of William Cobbett, written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo) by Gillray

Satan leaps over the walls of Heaven, from a French edition of Paradise Lost
STC205077 Satan leaps over the walls of Heaven, from a French edition of Paradise Lost by John Milton (1608-74) engraved by Nyon, published 1868 (litho) by Flatters

The Pact with the Devil, mid 19th century (wood)
CHT173725 The Pact with the Devil, mid 19th century (wood) by French School, (19th century); Private Collection; eArchives Charmet; French, out of copyright

Disciples catching the Mantle: the Spirit of Darkness overshadowing the Priests of Baal
NCO193135 Disciples catching the Mantle: the Spirit of Darkness overshadowing the Priests of Baal, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray

Fancy dress costume for Mephistopheles, from L Art du Travestissement
CHT173752 Fancy dress costume for Mephistopheles, from L Art du Travestissement by Leon Salut, 1885 (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Plate 8, from The Life of William Cobbett, written by himself, pub. by H
XJF129852 Plate 8, from The Life of William Cobbett, written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Satan in Paradise, from Book IV of Paradise Lost
OTB182316 Satan in Paradise, from Book IV of Paradise Lost by John Milton (1608-74) engraved by Charles Laplante (d.1903) c.1868 (engraving) by Dore

Costume design for The Devil in Love, a ballet after the original work by
CHT173733 Costume design for The Devil in Love, a ballet after the original work by Jacques Cazotte (1719-92) 1840 (w/c and gouache on paper) by Lormier

Paradise Lost: Satan and Beelzebub
3780008 Paradise Lost: Satan and Beelzebub. by Dore, Gustave (1832-83); (add.info.: Paradise Lost, by John Milton: Satan and Beelzebub, having fallen from heaven, are in an abyss of raging fire)

Depiction of the devil with a three-pronged fork (chromolitho)
6030583 Depiction of the devil with a three-pronged fork (chromolitho) by European School, (19th century); Private Collection; (add.info)

Satan Smitten by Michael, from Book VI of Paradise Lost
OTB182315 Satan Smitten by Michael, from Book VI of Paradise Lost by John Milton (1608-74) engraved by Antoine Alphee Piaud, c.1868 (engraving) by Dore

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children
NCO190422 Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching) by Gillray

Paradise Lost: Satan and Beelzebub. by Dore
3787288 Paradise Lost: Satan and Beelzebub.by Dore by Dore, Gustave (1832-83); (add.info.: Paradise Lost, by John Milton: Satan and Beelzebub, having fallen from heaven)

Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub
2962523 Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, pub. 1782 (hand coloured engraving) by Gillray

Hand with Celestial Spehere, early 17th century (pen & brown ink with grey & brown washes
CTS449148 Hand with Celestial Spehere, early 17th century (pen & brown ink with grey & brown washes & white body colour) by Passe, Crispin I de (c.1565-1637); 9.5x9.5 cm; eThe Devonshire Collections

Satan plunges into the River Styx, from a French edition of Paradise Lost
STC205079 Satan plunges into the River Styx, from a French edition of Paradise Lost by John Milton (1608-74) engraved by Darodes, published 1868 (litho) by Flatters

Satan and Beelzebub in Hell, c1799. Artist: Edward Francis Burney
Satan and Beelzebub in Hell, c1799. Scene showing Satan and Beelzebub on the Lake of Liquid Fire. They both have wings and one of them carries a shield and spear

Beelzebub. Illustration from The Pilgrims Progress from This World, to That Which Is to Come by John Bunyan, 1890s. Private Collection

While Beelzebubs Tying Huge Knots In His Tail. Illustration By George Cruikshank To The Poem The Lay Of St. Cuthbert
While Beelzebubs Tying Huge Knots In His Tail. Illustration By George Cruikshank To The Poem The Lay Of St.Cuthbert. From The Book The Ingoldsby Legends Or Mirth And Marvels By Thomas Ingoldsby

Adoration of the Devil, 17th century
Witches adoring The Devil. 17th century woodcut illustration depicting women, presumably witches, with The Devil. One woman kneels to kiss the Devils backside

Arriving in Hell, 17th century woodcut
Arrival in Hell. 17th century woodcut illustration depicting a group of men arriving in Hell and being met by The Devil. This illustration comes from Compendium maleficarum by Maria Guazzo

Satan & Beelzebub
Two eminent devils - SATAN and BEELZEBUB as they are described by Milton in Paradise Lost

The Sabbath in Vaudois, France, c13th century (1849)
The Sabbath in Vaudois, France, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration held by the Bibliotheque Nationale, Paris

The Sabbath, 16th century (1849). Artist: A Bisson
The Sabbath, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale, Paris

SATAN AND BEELZEBUB, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for Paradise Lost by Milton. romanticism, colour, color engraving

The Prince of Darkness, illustration from Science and Literature in the Middle Ages
XJF147333 The Prince of Darkness, illustration from Science and Literature in the Middle Ages and the Renaissance, written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo) by French School

Satan and Beelzebub, by Gustave Dorafaa
Satan and Beelzebub, by Gustave Dorafa

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"Beelzebub: The Dark Lord and His Demonic Realm" In the realm of darkness, where evil lurks and temptation reigns supreme, Beelzebub stands tall as one of the most feared figures. Known as the Prince of Devils, he embodies all that is wicked and corrupt in this world. From ancient texts to timeless artworks, his presence has been depicted with chilling detail. One such portrayal can be found in John Kay's "The Five ALLs, " where Beelzebub's sinister influence is showcased alongside other malevolent forces. In another striking image, we witness Archangel Michael casting Satan out of heaven itself – a testament to Beelzebub's fall from grace. "The Pilgrim's Progress from This World to That Which" further delves into the depths of despair as it illustrates Beelzebub tempting souls on their journey towards salvation. Alongside Belial and other demons in Antonius Ruttel de Parmenchingen's work, they embody humanity's darkest desires. Hell itself comes alive through vibrant lithographs published by La Bonne Presse in the late 19th century. Here, sin takes center stage as Beelzebub revels amidst the seven deadly sins – a haunting reminder of our own vulnerabilities. Yet amidst this darkness lies hope; even within Milton's "Paradise Lost, " we find glimpses of redemption. As Satan rises from the burning lake or leaps over heavenly walls in French editions inspired by his tale, there remains an unwavering spirit that challenges his dominion. A pact with the devil becomes a subject for exploration during mid-19th-century woodwork artistry – a cautionary tale reminding us that succumbing to temptation may lead down treacherous paths. And when disciples catch Mantle overshadowed by darkness while priests worship Baal, it serves as a stark reminder that evil can infiltrate even the holiest of places.