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Contemporary painting Collection (#56)

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Background imageContemporary painting Collection: Lazio Roma Rome Rignano Flaminio SS Abbondio e Abbondanzio

Lazio Roma Rome Rignano Flaminio SS Abbondio e Abbondanzio
Lazio Roma Rignano Flaminio SS. Abbondio e Abbondanzio, this is my Italy, the italian country of visual history, Medieval Architecture, fresco painting, architectural sculpture, sculptural fragments

Background imageContemporary painting Collection: Lazio Roma Rome Rignano Flaminio SS Abbondio e Abbondanzio

Lazio Roma Rome Rignano Flaminio SS Abbondio e Abbondanzio
Lazio Roma Rignano Flaminio SS. Abbondio e Abbondanzio, this is my Italy, the italian country of visual history, Medieval Architecture, fresco painting, architectural sculpture, sculptural fragments

Background imageContemporary painting Collection: Lazio Roma Rome Rignano Flaminio SS Abbondio e Abbondanzio

Lazio Roma Rome Rignano Flaminio SS Abbondio e Abbondanzio
Lazio Roma Rignano Flaminio SS. Abbondio e Abbondanzio, this is my Italy, the italian country of visual history, Medieval Architecture, fresco painting, architectural sculpture, sculptural fragments

Background imageContemporary painting Collection: Traveling Woman, 1915

Traveling Woman, 1915. Found in the collection of State Museum of Contemporary Art, Thessaloniki

Background imageContemporary painting Collection: Paul Verlaine, c. 1891, (1946). Artist: Eugene Carriere

Paul Verlaine, c. 1891, (1946). Artist: Eugene Carriere
Paul Verlaine, c.1891, (1946). Portrait print of Paul Verlaine (1844-1896) after CarriTHres painting of 1891. Verlaine was a French poet associated with the Decadent movement

Background imageContemporary painting Collection: The Barricade, c. 1871-1873, (1946). Artist: Edouard Manet

The Barricade, c. 1871-1873, (1946). Artist: Edouard Manet
The Barricade, c.1871-1873, (1946). Manet drew on his painting The Dead Toreador for this print, also known as Civil War, of an unidentified soldier lying behind a Parisian street barricade during

Background imageContemporary painting Collection: The Shepherdess, 1862, (1946). Artist: Jean Francois Millet

The Shepherdess, 1862, (1946). Artist: Jean Francois Millet
The Shepherdess, 1862, (1946). Print after Millets painting The Knitting Shepherdess of 1856, also known as Shepherdess Seated on a Rock, The Knitter or Shepherdess Knitting

Background imageContemporary painting Collection: Sarah the Bather, 1892, (1946). Artist: Henri Fantin-Latour

Sarah the Bather, 1892, (1946). Artist: Henri Fantin-Latour
Sarah the Bather, 1892, (1946). Print after a painting of the same name, (in French), Sara la Baigneuse, 1887. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T

Background imageContemporary painting Collection: The Cigarette Dance, c. 1890s, (1946). Artist: Anders Leonard Zorn

The Cigarette Dance, c. 1890s, (1946). Artist: Anders Leonard Zorn
The Cigarette Dance, c.1890s, (1946). Print also known as Girl with Cigarette II after Zorns painting The Cigarette Girl, 1892

Background imageContemporary painting Collection: The Drama, c. 1860s, (1946). Artist: Honore Daumier

The Drama, c. 1860s, (1946). Artist: Honore Daumier
The Drama, c.1860s, (1946). Print after Daumiers painting of the same name, 1860. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

Background imageContemporary painting Collection: The Robbers and the Donkey, c. 1860s, (1946). Artist: Honore Daumier

The Robbers and the Donkey, c. 1860s, (1946). Artist: Honore Daumier
The Robbers and the Donkey, c.1860s, (1946). Lithograph after Daumiers painting The Thieves And The Donkey, 1858-1860. From The Etchings of the French Impressionists and Their Contemporaries

Background imageContemporary painting Collection: Self-Portrait, c. 1860s, (1946). Artist: Edgar Degas

Self-Portrait, c. 1860s, (1946). Artist: Edgar Degas
Self-Portrait, c.1860s, (1946). Print after Degas painting of 1857-1858. Degas (1834-1917) produced some forty self-portraits in various media

Background imageContemporary painting Collection: The Boy with the Sword, 1862, (1946). Artist: Edouard Manet

The Boy with the Sword, 1862, (1946). Artist: Edouard Manet
The Boy with the Sword, 1862, (1946). Etching after Manets painting, Boy Carrying a Sword, 1861. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

Background imageContemporary painting Collection: Portrait of CUzanne, c. 1874, (1946). Artist: Camille Pissarro

Portrait of CUzanne, c. 1874, (1946). Artist: Camille Pissarro
Portrait of CUzanne, c.1874, (1946). Print after a painting of Pissarros friend and fellow artist Paul CUzanne (1839-1906)

Background imageContemporary painting Collection: The Goose Girl, c. 1870s, (1946). Artist: Camille Pissarro

The Goose Girl, c. 1870s, (1946). Artist: Camille Pissarro
The Goose Girl, c.1870s, (1946). Print based on a painting, The Goose Girl at Montfoucault (White Frost), 1876. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T

Background imageContemporary painting Collection: The Toast, 1890s, (1946). Artist: Anders Leonard Zorn

The Toast, 1890s, (1946). Artist: Anders Leonard Zorn
The Toast, 1890s, (1946). Print after the painting A Toast In The Idun Society, 1892. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase

Background imageContemporary painting Collection: Manao Tupapau (The Spirit of the Dead Watches), c. 1892, (1946). Artist: Paul Gauguin

Manao Tupapau (The Spirit of the Dead Watches), c. 1892, (1946). Artist: Paul Gauguin
Manao Tupapau (The Spirit of the Dead Watches), c.1892, (1946). Print after a painting, Spirit of the Dead Watching (Manao tupapau), of Gauguins young Tahitian wife Teha amana lying naked

Background imageContemporary painting Collection: Half-Length Portrait of Dieterle, c. 1899, (1946). Artist: Pierre-Auguste Renoir

Half-Length Portrait of Dieterle, c. 1899, (1946). Artist: Pierre-Auguste Renoir
Half-Length Portrait of Dieterle, c.1899, (1946). Print after a painting, Mademoiselle Dieterle La Merveilleuse. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T

Background imageContemporary painting Collection: Contemporary painting of King Richard III (1452-1485), 2013. Artist: Karen Humpage

Contemporary painting of King Richard III (1452-1485), 2013. Artist: Karen Humpage
Contemporary painting of King Richard III (1452-1485), 2013. Based on the facial reconstruction, which was created after the discovery of the Kings body at the site of the former Greyfriars Church in

Background imageContemporary painting Collection: Mary Jane Seacole, (2013). Artist: Karen Humpage

Mary Jane Seacole, (2013). Artist: Karen Humpage
Mary Jane Seacole (1805-1881), was Jamaican-born and of Scottish and Creole descent. Seacole set up what she called the British Hotel behind the lines during the Crimean War

Background imageContemporary painting Collection: Penance of Henry before the shrine of Thomas a Becket

Penance of Henry before the shrine of Thomas a Becket
King Henry II (1133-1189) doing penance before the shrine of Thomas a Becket. Henry ruled as King of England from 1154 to 1189. He was the first Plantagenet (or Angevin) King

Background imageContemporary painting Collection: Lawrence Alma-Tadema, artist and Royal Academician, 1881

Lawrence Alma-Tadema, artist and Royal Academician, 1881. Dutch-born painter Alma-Tadema (1836-1912) moved to London in 1870

Background imageContemporary painting Collection: Vicat Cole, landscape painter, 1881

Vicat Cole, landscape painter, 1881. Cole (1833-1893) was an important landscape painter of the mid 19th century who specialised in naturalistic English landscape scenes

Background imageContemporary painting Collection: Edward Armitage, professor and lecturer on painting to the Royal Academy, 1878

Edward Armitage, professor and lecturer on painting to the Royal Academy, 1878. Artist: Lock & Whitfield
Edward Armitage, professor and lecturer on painting to the Royal Academy, 1878. A historical painter, Armitage was influential in the movements for the restoration of fresco painting in England

Background imageContemporary painting Collection: Henry Tamworth Wells, portrait-painter, 1878. Artist: Lock & Whitfield

Henry Tamworth Wells, portrait-painter, 1878. Artist: Lock & Whitfield
Henry Tamworth Wells, portrait-painter, 1878. After the death of Ross and the retirement of Thorburn, Wells became the most important miniature painter of his time

Background imageContemporary painting Collection: Thomas Webster, painter, 1878. Artist: Lock & Whitfield

Thomas Webster, painter, 1878. Artist: Lock & Whitfield
Thomas Webster, painter, 1878. In 1825 Webster exhibited Rebels shooting a Prisoner, the first painting of schoolboy life by which he won his reputation

Background imageContemporary painting Collection: Frederick Goodall, painter, 1878. Artist: Lock & Whitfield

Frederick Goodall, painter, 1878. Artist: Lock & Whitfield
Frederick Goodall, painter, 1878. Goodall was only 14 years old when he exhibited water-colour paintings of Willesden Church and Lambeth Palace at the Society of Arts

Background imageContemporary painting Collection: Edward Matthew Ward, historical painter, 1878. Artist: Lock & Whitfield

Edward Matthew Ward, historical painter, 1878. Artist: Lock & Whitfield
Edward Matthew Ward, historical painter, 1878. His paintings were mainly about the English history of the 17th century and the French history of the period of the revolution and the first empire

Background imageContemporary painting Collection: John Callcott Horsley, artist and Royal Academician, 1882. Artist: Lock & Whitfield

John Callcott Horsley, artist and Royal Academician, 1882. Artist: Lock & Whitfield
John Callcott Horsley, artist and Royal Academician, 1882. A historical and genre painter, Horsley (1817-1903) gained the nickname Clothes Horsley for his role in championing the cause of public

Background imageContemporary painting Collection: George Dunlop Leslie, artist and Royal Academician, 1882. Artist: Lock & Whitfield

George Dunlop Leslie, artist and Royal Academician, 1882. Artist: Lock & Whitfield
George Dunlop Leslie, artist and Royal Academician, 1882. The son of the painter Charles Robert Leslie, George Dunlop Leslie (1836-1921) became a Royal Academician in 1876

Background imageContemporary painting Collection: James Clarke Hook, Royal Academician, 1880. Artist: Lock & Whitfield

James Clarke Hook, Royal Academician, 1880. Artist: Lock & Whitfield
James Clarke Hook, Royal Academician, 1880. He first exhibited at the Royal Academy in 1839. His early paintings were depictions of historical and heroic events, and events from romantic literature

Background imageContemporary painting Collection: Birket Foster, member of the Watercolour Society, 1880. Artist: Lock & Whitfield

Birket Foster, member of the Watercolour Society, 1880. Artist: Lock & Whitfield
Birket Foster, member of the Watercolour Society, 1880. At the age of sixteen he became an apprentice for Mr Landells who was a well known wood engraver

Background imageContemporary painting Collection: Walter William Ouless, portrait painter, 1880. Artist: Lock & Whitfield

Walter William Ouless, portrait painter, 1880. Artist: Lock & Whitfield
Walter William Ouless, portrait painter, 1880. He first exhibited at the Royal Academy in 1869. He was elected Associate of the Academy in 1877, and Royal Academician in 1881

Background imageContemporary painting Collection: Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield

Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield
Edward John Poynter, President of the Royal Academy, 1880. During a visit to Rome in 1853 he made the acquaintance of Lord Leighton, who encouraged him to study art futher

Background imageContemporary painting Collection: Erskine Nicol, 1880. Artist: Lock & Whitfield

Erskine Nicol, 1880. Artist: Lock & Whitfield
Erskine Nicol, 1880. He exhibited his first painting at the Royal Scottish Academy at the age of fifteen. In 1846 he went to Dublin, and taught privately there for the next five years

Background imageContemporary painting Collection: The Musicians, c1595. Artist: Michelangelo Caravaggio

The Musicians, c1595. Artist: Michelangelo Caravaggio
The Musicians, c1595. One of a number of realistic paintings of half-length figures painted in Rome for aristocratic patrons

Background imageContemporary painting Collection: Paleolithic cave-painting of Bison from Lascaux, France. c50, 000-c10, 000 BC

Paleolithic cave-painting of Bison from Lascaux, France. c50, 000-c10, 000 BC
Paleolithic cave-painting of Bison from Lascaux, France, 50, 000-10, 000BC. Paleolithic age is a prehistoric period of human history distinguished by the development of the most primitive stone

Background imageContemporary painting Collection: Shoes

Shoes
Jukyong Park

Background imageContemporary painting Collection: Citizen

Citizen
Jukyong Park

Background imageContemporary painting Collection: Shoes

Shoes
Jukyong Park

Background imageContemporary painting Collection: Rustic Organic Oil Painting

Rustic Organic Oil Painting
THE MIUUS STUDIO

Background imageContemporary painting Collection: Abstract Oil Painting

Abstract Oil Painting
THE MIUUS STUDIO

Background imageContemporary painting Collection: Abstract Beige and Black Painting

Abstract Beige and Black Painting
THE MIUUS STUDIO

Background imageContemporary painting Collection: Oil Painting Black and Beige Color

Oil Painting Black and Beige Color
THE MIUUS STUDIO

Background imageContemporary painting Collection: Abstract Modern Oil Painting

Abstract Modern Oil Painting
THE MIUUS STUDIO

Background imageContemporary painting Collection: Green Beige Black Oil Abstract Painting

Green Beige Black Oil Abstract Painting
THE MIUUS STUDIO

Background imageContemporary painting Collection: Green Black Oil Abstract

Green Black Oil Abstract
THE MIUUS STUDIO

Background imageContemporary painting Collection: Abstract Texture Oil Painting

Abstract Texture Oil Painting
THE MIUUS STUDIO



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