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Lowestoft, 1850 (watercolour, paper, scratching out)

Lowestoft, 1850 (watercolour, paper, scratching out)


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Lowestoft, 1850 (watercolour, paper, scratching out)

7295683 Lowestoft, 1850 (watercolour, paper, scratching out) by British School, (19th century); 14x19.2 cm; National Maritime Museum, London, UK; (add.info.: Watercolour depicting a seaward view of a cutter or smack at anchor, center left, and on the right a foundered brig with her sails still up and with boats round it. Inscribed Lowestoft. Sept.3.50': one of eight loose items in Edward Gennys Fanshawe's West Indies, North American and Borneo scrapbook (ZBA4855). This drawing cannot be by him, since he was in the Pacific at the time.); © National Maritime Museum, Greenwich, London

Media ID 38372134

© © National Maritime Museum, Greenwich, London / Bridgeman Images

Marinescape Sea Painting Seashore Suffolk Watercolors Watercolour Paint Without Anyone


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Art Movements > Seascapes

> Arts > Artists > I > Irish School Irish School

> Arts > Contemporary art > Landscapes > Seascape paintings

> Arts > Landscape paintings > Landscape art > Watercolor landscapes

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings

> Arts > Still life artwork > Landscape paintings > Seascapes

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Still life artwork > Watercolor paintings > Landscape paintings

> Fine Art Finder > Artists > Admiral Sir Edward Gennys Fanshawe

> Fine Art Finder > Artists > British School


EDITORS COMMENTS
This stunning watercolour print of Lowestoft in 1850 captures the essence of maritime life during the 19th century. The delicate brushstrokes and intricate details bring to life a scene of a cutter or smack at anchor, juxtaposed with a foundered brig with its sails still up. The artist's skillful use of scratching out technique adds depth and texture to the composition. The inscription 'Lowestoft. Sept.3.50' provides historical context to this artwork, which was part of Edward Gennys Fanshawe's West Indies, North American and Borneo scrapbook. Despite being attributed to Fanshawe initially, it is believed that he could not have created this piece as he was in the Pacific at the time. As we gaze upon this image, we are transported back in time to a bustling port town on the coast of England. The calm waters and majestic ships evoke a sense of nostalgia for an era long gone but immortalized through art. This print serves as a reminder of our rich maritime heritage and the importance of preserving such historical treasures for future generations to appreciate and admire.

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