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The Stage Hero (engraving)
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The Stage Hero (engraving)
6009679 The Stage Hero (engraving) by Partridge, Bernard (1861-1945) (after); Private Collection; (add.info.: The Stage Hero. Illustration for Stage-Land: Curious Habits and Customs of its Inhabitants described by Jerome K Jerome, drawn by J Bernard Partridge (Chatto and Windus, 1890).); © Look and Learn
Media ID 22793144
© Look and Learn / Bridgeman Images
1890 Land Personalities Personality Plays Stageland Type Types Caricatures Comics Entertaining
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The Stage Hero - A Satirical Glimpse into the Curious Habits of Stage-Land's Inhabitants
EDITORS COMMENTS
. This print showcases "The Stage Hero" an engraving by Bernard Partridge, taken from a private collection. The artwork was originally created as an illustration for Jerome K Jerome's book, "Stage-Land: Curious Habits and Customs of its Inhabitants" in 1890. In this satirical drawing, Partridge masterfully captures the essence of British theater during the nineteenth century. The image depicts a flamboyant character on stage, embodying the typical traits and personalities often found in theatrical productions. With humor and wit, Partridge brings to life the amusing idiosyncrasies of actors and their exaggerated performances. The detailed caricature offers a glimpse into London's vibrant theater scene at that time. It highlights not only the entertaining aspects but also pokes fun at certain stereotypes associated with different characters on stage. Through this satirical cartoon, we are transported back to a period when drama reigned supreme in Great Britain. It serves as both an amusing reminder of historical theatrical customs and a scathing satire on societal norms. This print is not just an artistic representation; it is also a testament to German culture's fascination with British entertainment during that era. Its presence in Germany speaks volumes about the cross-cultural influence between European nations. With its rich historical context and humorous undertones, "The Stage Hero" captivates viewers' attention while offering valuable insights into both British theatre history and European cultural exchange.
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