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The library at Rufford Abbey, Nottinghamshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

The library at Rufford Abbey, Nottinghamshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b / w photo)


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The library at Rufford Abbey, Nottinghamshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

CLF311863 The library at Rufford Abbey, Nottinghamshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer, (20th century); (add.info.: medieval house built on site of a 12th century Cistercian abbey; remodelled by Anthony Salvin (1799-1881) for the Savile family 1837-42; requisitioned during Second World War and fell into disrepair; demolished 1956; portrait of King Edward VII by Augustus Savile;); © Country Life

Media ID 32410385

© Bridgeman Images

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EDITORS COMMENTS
The library at Rufford Abbey, Nottinghamshire, captured in this photograph from Giles Worsley's book 'England's Lost Houses, ' takes us back in time to the grandeur of a bygone era. The medieval house, built on the grounds of a 12th-century Cistercian abbey, was remodeled by Anthony Salvin for the Savile family in the mid-19th century. This image showcases the exquisite interior of the library, with its stone chimneypiece and intricate plasterwork ceiling. In the center stands an early 20th-century portrait of King Edward VII painted by Augustus Savile himself. The room exudes an air of elegance and sophistication that was characteristic of stately homes during that period. Sadly, this magnificent estate fell into disrepair after being requisitioned during World War II and was eventually demolished in 1956. However, through this photograph, we can still appreciate its former glory. The composition also captures other intriguing elements within the frame. A full-length advertisement for a London saddler shop is visible through one windowpane while an elephant statue stands proudly beside it. A dwarf performer dressed as a jester adds a touch of whimsy to the scene. Overall, this print not only serves as a reminder of England's architectural heritage but also offers glimpses into daily life and popular culture from times gone by.

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