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Birthplace and Graves of Bewick and his Brother Robert (engraving)
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Birthplace and Graves of Bewick and his Brother Robert (engraving)
1609004 Birthplace and Graves of Bewick and his Brother Robert (engraving) by English School, (19th century); Private Collection; (add.info.: Birthplace and Graves of Bewick and his Brother Robert. Illustration for The Illustrated London News, 8 August 1857.
English School (19th Century)); Look and Learn / Illustrated Papers Collection
Media ID 23096252
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Birthplace Brother Corners Engravers Graves Historic Houses Newcastle Nooks Old England Robert Thomas Bewick Bewick Ovingham
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EDITORS COMMENTS
This print captures the birthplace and final resting place of two remarkable artists, Thomas Bewick and his brother Robert. The engraving, created by an anonymous English School artist in the 19th century, showcases the historic houses that hold great significance to their lives. In this enchanting image, we are transported back in time to witness the corners of old England where these talented engravers were born and laid to rest. The birthplace and gravesite stand as a testament to their immense contributions to the art world. The bewitching charm of Cherryburn, located in Newcastle, is beautifully depicted in this print. It was here that Thomas Bewick's artistic journey began, shaping him into one of England's most celebrated artists. His brother Robert also shared his passion for creativity and left an indelible mark on the art scene. As we gaze upon this mesmerizing artwork, we can't help but feel a sense of awe at the legacy left behind by these gifted brothers. Their names will forever be intertwined with Ovingham's rich history and serve as inspiration for future generations of aspiring artists. This print from Bridgeman Images allows us to delve into a moment frozen in time - a glimpse into the lives of two extraordinary individuals who shaped British artistry through their exceptional talent and unwavering dedication.
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