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Japanese Art Collection (#11)

2,144 Items

Background imageJapanese Art Collection: Sixty-nine Stations of the Kisokaido: Warabi, Inuyama Dosetsu, Edo period

Sixty-nine Stations of the Kisokaido: Warabi, Inuyama Dosetsu, Edo period
FSG349084 Sixty-nine Stations of the Kisokaido: Warabi, Inuyama Dosetsu, Edo period, 1852 (colour woodblock print) by Kuniyoshi, Utagawa (1798-1861); 36.2 x 24.8 cm; Arthur M

Background imageJapanese Art Collection: Tametomos Ten Heroic Deeds, Edo period, c. 1847-50 (colour woodblock print)

Tametomos Ten Heroic Deeds, Edo period, c. 1847-50 (colour woodblock print)
FSG349080 Tametomos Ten Heroic Deeds, Edo period, c.1847-50 (colour woodblock print) by Kuniyoshi, Utagawa (1798-1861); 36.6 x 25.5 cm; Arthur M

Background imageJapanese Art Collection: A Heroic Japanese Water Margin: Hakamadare no Yasusuke, Edo period, c

A Heroic Japanese Water Margin: Hakamadare no Yasusuke, Edo period, c
FSG349075 A Heroic Japanese Water Margin: Hakamadare no Yasusuke, Edo period, c.1843 (colour woodblock print) by Kuniyoshi, Utagawa (1798-1861); 25.9 x 18.7 cm; Arthur M

Background imageJapanese Art Collection: Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c

Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c
FSG349073 Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print) by Kuniyoshi, Utagawa (1798-1861); 24.7 x 18 cm; Arthur M

Background imageJapanese Art Collection: The One and Only Eight Dog History of Old Kyokutei (Bakin) Edo period. C

The One and Only Eight Dog History of Old Kyokutei (Bakin) Edo period. C
FSG349061 The One and Only Eight Dog History of Old Kyokutei (Bakin) Edo period. C.1835 (colour woodblock print) by Kuniyoshi, Utagawa (1798-1861); 37.7 x 25.5 cm; Arthur M

Background imageJapanese Art Collection: The Eighteen Plays of the Ichikawa Clan: Actor Ichikawa Danjuro VIII as the Medicine

The Eighteen Plays of the Ichikawa Clan: Actor Ichikawa Danjuro VIII as the Medicine
FSG349060 The Eighteen Plays of the Ichikawa Clan: Actor Ichikawa Danjuro VIII as the Medicine Vendor Toraya Tokichi, Edo period, 1852 (colour woodblock print) by Kunisada

Background imageJapanese Art Collection: Lovers with a Bird Cage, Edo period, c. 1766-67 (colour woodblock print)

Lovers with a Bird Cage, Edo period, c. 1766-67 (colour woodblock print)
FSG348997 Lovers with a Bird Cage, Edo period, c.1766-67 (colour woodblock print) by Harunobu, Suzuki (1725-70); 28 x 20.8 cm; Arthur M

Background imageJapanese Art Collection: The Actor Ichikawa Komazo I as Hosokawa Katsumoto, Edo period

The Actor Ichikawa Komazo I as Hosokawa Katsumoto, Edo period
FSG348993 The Actor Ichikawa Komazo I as Hosokawa Katsumoto, Edo period, 1768 (colour woodblock print) by Kiyonaga, Torii (1752-1815); 30.6 x 13 cm; Arthur M

Background imageJapanese Art Collection: Actor Bando Sanpachi I as Asahina Saburo, Edo period, 1769 (colour woodblock print)

Actor Bando Sanpachi I as Asahina Saburo, Edo period, 1769 (colour woodblock print)
FSG348992 Actor Bando Sanpachi I as Asahina Saburo, Edo period, 1769 (colour woodblock print) by Torii Kiyotsune (fl.1751-81); 30.3 x 14.2 cm; Arthur M

Background imageJapanese Art Collection: The Actor Yamashita Kinsaku I Performing the Tea Vendors Soliloquy, Edo period

The Actor Yamashita Kinsaku I Performing the Tea Vendors Soliloquy, Edo period
FSG348977 The Actor Yamashita Kinsaku I Performing the Tea Vendors Soliloquy, Edo period, mid 1720s (colour woodblock print) by Kiyomasu II, Torii (1706-63); 32.3 x 15.5 cm; Arthur M

Background imageJapanese Art Collection: Waves at Matsushima, Edo period (ink, colour, gold and silver on paper)

Waves at Matsushima, Edo period (ink, colour, gold and silver on paper)
FSG348610 Waves at Matsushima, Edo period (ink, colour, gold and silver on paper) by Sotatsu, Tawaraya (fl.c.1600-40); 166x369.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJapanese Art Collection: Bamboo and morning glories, Edo period, mid 17th-early 18th century

Bamboo and morning glories, Edo period, mid 17th-early 18th century
FSG324881 Bamboo and morning glories, Edo period, mid 17th-early 18th century (ink and colour on silk) by Tsunenobu, Kano (1636-1713); 186.8x58.4 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJapanese Art Collection: Bodhidharma, Edo period (ink on paper)

Bodhidharma, Edo period (ink on paper)
FSG324877 Bodhidharma, Edo period (ink on paper) by Tan yu, Kano (1602-74); 185.7x40.2 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJapanese Art Collection: Arhat (Handaka Sonja - Panthaka) seated; a disciple with lotus blossoms at his right

Arhat (Handaka Sonja - Panthaka) seated; a disciple with lotus blossoms at his right
FSG324869 Arhat (Handaka Sonja - Panthaka) seated; a disciple with lotus blossoms at his right, Nanbokucho period, mid-14th century (ink and colour on silk) by Ryozen (fl.1328-60)

Background imageJapanese Art Collection: Twenty-four paintings, mostly illustrations, Edo period (ink, colour and gold on paper)

Twenty-four paintings, mostly illustrations, Edo period (ink, colour and gold on paper)
FSG324853 Twenty-four paintings, mostly illustrations, Edo period (ink, colour and gold on paper) by Tan yu, Kano (1602-74) (school of); 12.5x14.4 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJapanese Art Collection: Panel with low-relief carving of Buddhist apsaras (wood)

Panel with low-relief carving of Buddhist apsaras (wood)
FSG324836 Panel with low-relief carving of Buddhist apsaras (wood) by Japanese School; 51.5x18x1 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJapanese Art Collection: Imperial Anthology, Kokinshu, Momoyama or Edo period (ink, gold, silver & mica on paper)

Imperial Anthology, Kokinshu, Momoyama or Edo period (ink, gold, silver & mica on paper)
FSG324832 Imperial Anthology, Kokinshu, Momoyama or Edo period (ink, gold, silver & mica on paper) by Koetsu, Hon ami (1558-1637) & Sotatsu, Tawaraya (fl.1600-40); 33x1021.7 cm; Freer Gallery of Art

Background imageJapanese Art Collection: Thunder god, Edo period, 1847 (ink & colour on paper)

Thunder god, Edo period, 1847 (ink & colour on paper)
FSG324718 Thunder god, Edo period, 1847 (ink & colour on paper) by Hokusai, Katsushika (1760-1849); 226.8x67.7 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJapanese Art Collection: Wild rose and a bird, Edo period, 1615-1868 (colour on silk)

Wild rose and a bird, Edo period, 1615-1868 (colour on silk)
FSG324553 Wild rose and a bird, Edo period, 1615-1868 (colour on silk) by Ippo, Mori (1798-1871); 104.5x40.8 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageJapanese Art Collection: Onoe Kikugoro III as Nagoya Sanza in the Saya-ate (scabbards clashing) scene, c

Onoe Kikugoro III as Nagoya Sanza in the Saya-ate (scabbards clashing) scene, c
FIT282753 Onoe Kikugoro III as Nagoya Sanza in the Saya-ate (scabbards clashing) scene, c.1827-30 (coloured woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Fitzwilliam Museum

Background imageJapanese Art Collection: The interior of the Nakamura Theatre, Sakai Street, published by Nishinomiya Shinroku

The interior of the Nakamura Theatre, Sakai Street, published by Nishinomiya Shinroku
FIT282748 The interior of the Nakamura Theatre, Sakai Street, published by Nishinomiya Shinroku, before 1841 (woodblock print) by Yoshimara, Utagawa (fl.19th century); Fitzwilliam Museum

Background imageJapanese Art Collection: Onoe Kikugoro III as Nagoya in Sato no haru meibutsu amigasa, c

Onoe Kikugoro III as Nagoya in Sato no haru meibutsu amigasa, c
FIT282745 Onoe Kikugoro III as Nagoya in Sato no haru meibutsu amigasa, c.1827 (coloured woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Fitzwilliam Museum, University of Cambridge

Background imageJapanese Art Collection: Two Cats, illustration from The Kokka magazine, 1898-99 (colour litho)

Two Cats, illustration from The Kokka magazine, 1898-99 (colour litho)
CHT327048 Two Cats, illustration from The Kokka magazine, 1898-99 (colour litho) by Japanese School, (19th century); Private Collection; (add.info.: Deux chats; ); eArchives Charmet; Japanese

Background imageJapanese Art Collection: Beauties of the Seasons - Summer, Edo Period, late 18th-early 19th century (ink

Beauties of the Seasons - Summer, Edo Period, late 18th-early 19th century (ink
FSG325466 Beauties of the Seasons - Summer, Edo Period, late 18th-early 19th century (ink, colour and gold on silk) by Eishi, Hosoda (1756-1829); 175.3x49.7 cm; Freer Gallery of Art

Background imageJapanese Art Collection: Warlord watches Samurai practising their swordplay, detail showing teachers

Warlord watches Samurai practising their swordplay, detail showing teachers
STC255227 Warlord watches Samurai practising their swordplay, detail showing teachers and pupils looking on, from a 19th Century Album of Woodcuts, Colour Wood Block Print by Japanese School

Background imageJapanese Art Collection: Sixth Korean Embassy to Japan at the time of Tokugawa Ietsunas succession in 1651

Sixth Korean Embassy to Japan at the time of Tokugawa Ietsunas succession in 1651
UOL79779 Sixth Korean Embassy to Japan at the time of Tokugawa Ietsunas succession in 1651, possibly by Kano Masunobu (1625-94) 1655-57 (scroll painting) by Japanese School

Background imageJapanese Art Collection: Matsumoto Koshiro V in the role of Matsuomaru, from the Tokaido Road series

Matsumoto Koshiro V in the role of Matsuomaru, from the Tokaido Road series
AME117748 Matsumoto Koshiro V in the role of Matsuomaru, from the Tokaido Road series, (colour litho) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Ashmolean Museum, University of Oxford

Background imageJapanese Art Collection: Chrysanthemums (colour woodblock)

Chrysanthemums (colour woodblock)
NUL115359 Chrysanthemums (colour woodblock) by Hokusai, Katsushika (1760-1849); Victoria & Albert Museum, London, UK; Japanese, out of copyright

Background imageJapanese Art Collection: Horse Jumping, Japanese, Edo period, c. 18th century (ink on paper) (one of a pair

Horse Jumping, Japanese, Edo period, c. 18th century (ink on paper) (one of a pair
PFR121397 Horse Jumping, Japanese, Edo period, c.18th century (ink on paper) (one of a pair) (see also 121396) by Shohaku, Soga (1730-81); Private Collection; ePaul Freeman; ePaul Freeman; Japanese

Background imageJapanese Art Collection: Horses, Japanese, Edo period, c. 18th century (ink on paper) (one of a pair

Horses, Japanese, Edo period, c. 18th century (ink on paper) (one of a pair
PFR121396 Horses, Japanese, Edo period, c.18th century (ink on paper) (one of a pair) (see also 121397) by Shohaku, Soga (1730-81); Private Collection; ePaul Freeman; ePaul Freeman; Japanese

Background imageJapanese Art Collection: Kasuga Deer with Mandala, Muromachi period (1392-1573) (painting on silk)

Kasuga Deer with Mandala, Muromachi period (1392-1573) (painting on silk)
PFR121393 Kasuga Deer with Mandala, Muromachi period (1392-1573) (painting on silk) by Japanese School; Private Collection; ePaul Freeman; ePaul Freeman; Japanese, out of copyright

Background imageJapanese Art Collection: Portrait of Oe Miromoto (1148-1225) with a poem, from Famous Generals of Japan

Portrait of Oe Miromoto (1148-1225) with a poem, from Famous Generals of Japan
UOL120865 Portrait of Oe Miromoto (1148-1225) with a poem, from Famous Generals of Japan, c.1858 (colour woodblock print) by Yoshitora (fl.1850-80)

Background imageJapanese Art Collection: People fishing for octopus and a woman reading a fortune-telling book to pick a suitable

People fishing for octopus and a woman reading a fortune-telling book to pick a suitable
UOL120856 People fishing for octopus and a woman reading a fortune-telling book to pick a suitable date for her wedding, 1852 (colour woodblock print) by Kuniyoshi

Background imageJapanese Art Collection: Moral teaching for shopboys, giving good and bad examples of behaviour

Moral teaching for shopboys, giving good and bad examples of behaviour
UOL120841 Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print) by Kuniyoshi

Background imageJapanese Art Collection: Opening ceremony of the Second Industrial Exhibition in Tokyo

Opening ceremony of the Second Industrial Exhibition in Tokyo
UOL120838 Opening ceremony of the Second Industrial Exhibition in Tokyo, 1 March-30 June 1881 (colour woodblock print) by Kunimatsu (fl.1881)

Background imageJapanese Art Collection: Autumn, Hanayashiki: A geisha with a pipe, design for a fan from a set of four

Autumn, Hanayashiki: A geisha with a pipe, design for a fan from a set of four
FIT113911 Autumn, Hanayashiki: A geisha with a pipe, design for a fan from a set of four illustrating the seasons, 1858-60 (woodblock print) by Kunisada

Background imageJapanese Art Collection: Asakusa Rice Fields During the Festival of the Cock, c. 1857 (coloured woodblock print)

Asakusa Rice Fields During the Festival of the Cock, c. 1857 (coloured woodblock print)
FIT113901 Asakusa Rice Fields During the Festival of the Cock, c.1857 (coloured woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 33.7x22.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageJapanese Art Collection: Tsubasa ni wa... (first line of poem) from the series

Tsubasa ni wa... (first line of poem) from the series
FIT111482 Tsubasa ni wa... (first line of poem) from the series Illustrated Collection of Butterflies, c.1804-18 (woodblock print) by Shumman, Kubo (1757-1820); 18.5x16.5 cm; Fitzwilliam Museum

Background imageJapanese Art Collection: Komurasaki of Tama-Ya, New Years Day (woodblock print)

Komurasaki of Tama-Ya, New Years Day (woodblock print)
LMG144810 Komurasaki of Tama-Ya, New Years Day (woodblock print) by Gokei or Gokyo, Hosada (fl.1795); 37.3x25.1 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageJapanese Art Collection: Kamaya, Oigawa Embo, Further Bank of the Oi River, No. 25 from the series 53 Stations of

Kamaya, Oigawa Embo, Further Bank of the Oi River, No. 25 from the series 53 Stations of the Tokaido Raod
LMG144589 Kamaya, Oigawa Embo, Further Bank of the Oi River, No.25 from the series 53 Stations of the Tokaido Raod (woodblock print) by Hiroshige

Background imageJapanese Art Collection: Mount Fuji Reflected in Lake Misaica, from the series 36 Views of Mount Fuji

Mount Fuji Reflected in Lake Misaica, from the series 36 Views of Mount Fuji
LMG144586 Mount Fuji Reflected in Lake Misaica, from the series 36 Views of Mount Fuji ( Fugaku sanjurokker ) (woodblock print) by Hokusai

Background imageJapanese Art Collection: The Actor Bando Tokuke as Takahastu Yajuro, a Samurai (woodblock print)

The Actor Bando Tokuke as Takahastu Yajuro, a Samurai (woodblock print)
LMG144570 The Actor Bando Tokuke as Takahastu Yajuro, a Samurai (woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); 29.2x26.7 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageJapanese Art Collection: Playing cards with 100 poets and poems, sold at the Exposition Universelle in Paris in

Playing cards with 100 poets and poems, sold at the Exposition Universelle in Paris in
CHT164029 Playing cards with 100 poets and poems, sold at the Exposition Universelle in Paris in 1867 (pen and ink on paper) by Japanese School

Background imageJapanese Art Collection: Japanese Woman in the Snow (colour woodblock print)

Japanese Woman in the Snow (colour woodblock print)
STC105237 Japanese Woman in the Snow (colour woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Private Collection; The Stapleton Collection; Japanese, out of copyright

Background imageJapanese Art Collection: Chinese Beauty Playing the Shamisen, c. 1833-34 (woodblock print)

Chinese Beauty Playing the Shamisen, c. 1833-34 (woodblock print)
FIT111484 Chinese Beauty Playing the Shamisen, c.1833-34 (woodblock print) by Taito, Katsushika II (Hokusen) (fl.1820-50); 21.7x18.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageJapanese Art Collection: Nine-Tailed Fox Reflected in a Mirror, c. 1818-30 (woodblock print)

Nine-Tailed Fox Reflected in a Mirror, c. 1818-30 (woodblock print)
FIT111481 Nine-Tailed Fox Reflected in a Mirror, c.1818-30 (woodblock print) by Goshichi, Harukawa (fl.1818-30); 21.7x18.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageJapanese Art Collection: Otsu-e Paintings Coming Alive Triptych, c. 1847-52 (woodblock print)

Otsu-e Paintings Coming Alive Triptych, c. 1847-52 (woodblock print)
FIT111473 Otsu-e Paintings Coming Alive Triptych, c.1847-52 (woodblock print) by Kuniyoshi, Utagawa (1798-1861); 36.4x25.2 each cm; Fitzwilliam Museum, University of Cambridge

Background imageJapanese Art Collection: Morning Mist at Mishima, from the series 53 Stations on the Eastern Coast Road

Morning Mist at Mishima, from the series 53 Stations on the Eastern Coast Road, 1833 (woodblock print)
FIT111461 Morning Mist at Mishima, from the series 53 Stations on the Eastern Coast Road, 1833 (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 25.7x35.5 cm; Fitzwilliam Museum



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