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Burne Jones Edward 1833 98 Collection

Edward Burne-Jones (1833-1898) was a renowned British artist and designer, closely associated with the Arts and Crafts movement

Background imageBurne Jones Edward 1833 98 Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageBurne Jones Edward 1833 98 Collection: Edward Burne Jones and William Morris, 1874 (b / w photo)

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

Background imageBurne Jones Edward 1833 98 Collection: Title page and opening page from the Kelmscott Press edition of

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Background imageBurne Jones Edward 1833 98 Collection: William Morris on horseback, 1870 (drawing)

William Morris on horseback, 1870 (drawing)
8620230 William Morris on horseback, 1870 (drawing) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow, UK; (add.info.: William Morris on horseback, 1870, Edward Burne Jones)

Background imageBurne Jones Edward 1833 98 Collection: Edward Burne Jones and William Morris, William Morris gallery, London (photograph)

Edward Burne Jones and William Morris, William Morris gallery, London (photograph)
8620225 Edward Burne Jones and William Morris, William Morris gallery, London (photograph) by Hollyer, Frederick (1837-1933); William Morris Gallery, Walthamstow

Background imageBurne Jones Edward 1833 98 Collection: Unidentified subject, possibly Cupid's daughter by his forge, c.1857 (pen, pencil on paper)

Unidentified subject, possibly Cupid's daughter by his forge, c.1857 (pen, pencil on paper)
8620209 Unidentified subject, possibly Cupid's daughter by his forge, c.1857 (pen, pencil on paper) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow

Background imageBurne Jones Edward 1833 98 Collection: Portrait of the artist Edward Burne Jones (engraving)

Portrait of the artist Edward Burne Jones (engraving)
672752 Portrait of the artist Edward Burne Jones (engraving); (add.info.: Burne Jones - engraving Sir Edward Coley Burne-Jones)

Background imageBurne Jones Edward 1833 98 Collection: Sir Edward Coley Burne-Jones (engraving)

Sir Edward Coley Burne-Jones (engraving)
3116269 Sir Edward Coley Burne-Jones (engraving); Private Collection; (add.info.: British artist and designer. From The Century Edition of Cassell's History of England, published c. 1900)

Background imageBurne Jones Edward 1833 98 Collection: Sir Philip Burne-Jones, holding cat (photo)

Sir Philip Burne-Jones, holding cat (photo)
681375 Sir Philip Burne-Jones, holding cat (photo); (add.info.: Sir Philip Burne-Jones, holding cat; son of Edward Burne-Jones); Universal History Archive/UIG

Background imageBurne Jones Edward 1833 98 Collection: Sir Edward Burne-Jones, Bart, DCL (engraving)

Sir Edward Burne-Jones, Bart, DCL (engraving)
970428 Sir Edward Burne-Jones, Bart, DCL (engraving); Private Collection; (add.info.: Sir Edward Burne-Jones, Bart, DCL. Illustration for Notables of Britain (Review of Reviews)

Background imageBurne Jones Edward 1833 98 Collection: Head, 1885 (pencil on paper)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageBurne Jones Edward 1833 98 Collection: Spring, 1894 (pencil & red chalk)

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Background imageBurne Jones Edward 1833 98 Collection: Danae, or The Tower of Brass, 1887-88 (oil on canvas)

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageBurne Jones Edward 1833 98 Collection: The Angel (oil on panel)

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

Background imageBurne Jones Edward 1833 98 Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imageBurne Jones Edward 1833 98 Collection: 7388081

7388081

Background imageBurne Jones Edward 1833 98 Collection: Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo)

Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo)
XJF366938 Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo) by Sotheby (nee Leighton)

Background imageBurne Jones Edward 1833 98 Collection: 7388098

7388098

Background imageBurne Jones Edward 1833 98 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246644 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageBurne Jones Edward 1833 98 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7247006 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageBurne Jones Edward 1833 98 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246562 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageBurne Jones Edward 1833 98 Collection: The Prioress Tale, decorated wardrobe, designed by Philip Webb (1831-1915), 1859 (oil on panel)

The Prioress Tale, decorated wardrobe, designed by Philip Webb (1831-1915), 1859 (oil on panel)
7246991 The Prioress Tale, decorated wardrobe, designed by Philip Webb (1831-1915), 1859 (oil on panel) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford

Background imageBurne Jones Edward 1833 98 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7250216 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageBurne Jones Edward 1833 98 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249864 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageBurne Jones Edward 1833 98 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249622 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageBurne Jones Edward 1833 98 Collection: The Passing of Venus, c. 1875 (oil on panel)

The Passing of Venus, c. 1875 (oil on panel)
MH11890 The Passing of Venus, c.1875 (oil on panel) by Burne-Jones, Edward Coley (1833-98); Exeter College, Oxford, UK; © Martin Harrison

Background imageBurne Jones Edward 1833 98 Collection: The Battle of Beth Horon, 1862-3 (stained glass)

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

Background imageBurne Jones Edward 1833 98 Collection: Pan and Psyche (mezzotint printed on paper)

Pan and Psyche (mezzotint printed on paper)
6321732 Pan and Psyche (mezzotint printed on paper) by Campbell, Charles W. (1855-87); 35.6x29.8 cm; The Ms Gallery, London

Background imageBurne Jones Edward 1833 98 Collection: The Birth of Galatea (mezzotint on laid india)

The Birth of Galatea (mezzotint on laid india)
6321791 The Birth of Galatea (mezzotint on laid india) by Campbell, Charles W. (1855-87); 35.6x27.9 cm; The Ms Gallery, London

Background imageBurne Jones Edward 1833 98 Collection: A Pre Raphaelite Collection, exposition in London with Rossetti, Burne Jones

A Pre Raphaelite Collection, exposition in London with Rossetti, Burne Jones
3434513 A Pre Raphaelite Collection, exposition in London with Rossetti, Burne Jones... Poster by Graham Roberstson, England, c.1890 (poster) by Robertson, Graham (1866-1948); (add.info.: Art)

Background imageBurne Jones Edward 1833 98 Collection: Pan and Psyche (mezzotint)

Pan and Psyche (mezzotint)
6322294 Pan and Psyche (mezzotint) by Campbell, Charles W. (1855-87); 35.6x29.5 cm; The Ms Gallery, London, UK; (add.info)

Background imageBurne Jones Edward 1833 98 Collection: Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Background imageBurne Jones Edward 1833 98 Collection: Stained glass by Edward Burnes Jones in Birmingham (photo)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825323 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: stained glass window in the West end of Birmingham Cathedral)

Background imageBurne Jones Edward 1833 98 Collection: Sir Edward Burne-Jones, portrait

Sir Edward Burne-Jones, portrait
3783711 Sir Edward Burne-Jones, portrait; (add.info.: Sir Edward Burne-Jones, portrait. British artist and designer associated with the Pre-Raphaelite movement, b. 28 August 1833 - d)

Background imageBurne Jones Edward 1833 98 Collection: Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)

Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd
3474918 Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd, 1902 by Morris & Company; Ward End, Birmingham

Background imageBurne Jones Edward 1833 98 Collection: St George and the Dragon (pencil on paper)

St George and the Dragon (pencil on paper)
BIR185892 St George and the Dragon (pencil on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; Birmingham Museums Trust

Background imageBurne Jones Edward 1833 98 Collection: Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)

Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)
451295 Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imageBurne Jones Edward 1833 98 Collection: Angels of Creation: The Third Day, by Sir Edward Burne-Jones (1833-98), c. 1890

Angels of Creation: The Third Day, by Sir Edward Burne-Jones (1833-98), c. 1890
ASD54938 Angels of Creation: The Third Day, by Sir Edward Burne-Jones (1833-98), c.1890 by Burne-Jones, Edward Coley (1833-98); Manchester College, Oxford, Oxfordshire, UK; Ann S. Dean, Brighton

Background imageBurne Jones Edward 1833 98 Collection: C. 2-1922 Morris and Company tile depicting St. Cecilia, designed by Edward Burne-Jones (1833-98)

C. 2-1922 Morris and Company tile depicting St. Cecilia, designed by Edward Burne-Jones (1833-98)
FIT82956 C.2-1922 Morris and Company tile depicting St. Cecilia, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner

Background imageBurne Jones Edward 1833 98 Collection: Stained glass by Edward Burnes Jones in Birmingham (photo)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825326 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: altar and East windows of Birmingham Cathedral, St Philips Cathedral)

Background imageBurne Jones Edward 1833 98 Collection: Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally

Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877 / 78
BAL3809 Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877/78, woven at Merton Abbey in 1894 by Morris and Co

Background imageBurne Jones Edward 1833 98 Collection: Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)
3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903)

Background imageBurne Jones Edward 1833 98 Collection: Stained glass by Edward Burnes Jones in Birmingham (photo)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825324 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: East window (side) of Birmingham Cathedral, St Philips Cathedral

Background imageBurne Jones Edward 1833 98 Collection: Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98)

Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c
FIT82957 Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c.1865 (painted earthenware) by Morris & Company; diameter

Background imageBurne Jones Edward 1833 98 Collection: Interior View, All Saints Church, Leek, Staffordshire (photo)

Interior View, All Saints Church, Leek, Staffordshire (photo)
3475575 Interior View, All Saints Church, Leek, Staffordshire (photo) by Morris & Company; All Saints Church, Leek, Staffordshire

Background imageBurne Jones Edward 1833 98 Collection: Ireland, County Waterford, Lismore, Cathedral of St Carthage

Ireland, County Waterford, Lismore, Cathedral of St Carthage, stained glass window by Edward Burne-Jones in Protestant
839155 Ireland, County Waterford, Lismore, Cathedral of St Carthage, stained glass window by Edward Burne-Jones in Protestant cathedral by Burne-Jones, Edward Coley (1833-98); Dorling Kindersley/UIG



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Edward Burne-Jones (1833-1898) was a renowned British artist and designer, closely associated with the Arts and Crafts movement. He had a close friendship and collaboration with William Morris, which greatly influenced his artistic style. In this black and white photograph from 1874, we see Edward Burne-Jones alongside his dear friend William Morris. The two men stand side by side, their faces filled with determination and creativity, and is evident that they shared a deep bond as they embarked on their artistic journey together. The Kelmscott Press edition of "Danae, or The Tower of Brass" showcases Burne-Jones' talent for book design. The title page and opening page are exquisitely adorned with intricate patterns and delicate illustrations. Each stroke of the pen reflects his meticulous attention to detail. One cannot help but be captivated by "The Angel, " an oil painting on panel created by Burne-Jones. This ethereal figure seems to emanate light as it hovers above the ground, its wings gracefully extended, and is a testament to the artist's ability to capture beauty in its purest form. "Sibylla Delphica, " painted in 1868, reveals Burne-Jones' fascination with mythology and ancient tales. This oil painting on panel depicts a prophetess lost in thought, her eyes filled with wisdom beyond her years. Through his artistry, he brings these mythical characters to life once more. A glimpse into Burne-Jones' studio reveals him engrossed in creating "The Star of Bethlehem. " In this black-and-white photograph from 1890, we witness the artist at work amidst brushes and paint palettes scattered across his workspace. His dedication shines through as he meticulously crafts each stroke onto canvas. "Cupid's hunting fields" transports us into a dreamlike realm where love reigns supreme.