Canaletto Collection (#6)

Grand Canal Rialto Bridge Fondaco dei Tedeschi
The Grand Canal with the Rialto Bridge and the Fondaco dei Tedeschi, View of Venice on the bend of the Grand Canal at the Ponte Rialto and to the right the Fondaco dei Tedeschi

View Arch Constantine Colosseum Canaletto Giovanni Antonio
View of the Arch of Constantine with the Colosseum; Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); 1742-1745; Oil on canvas; 83.2 × 122.9 cm (32 3, 4 × 48 3, 8 in.)

Warwick Castle East Front Courtyard Canaletto
Warwick Castle: The East Front from the Courtyard; Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); about 1748; Pen and brown ink, gray wash, and black chalk; 31.8 × 56.9 cm (12 1)

Grand Canal Venice Palazzo Flangini Campo San
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola; Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); Italy; about 1738; Oil on canvas; 47 × 77.8 cm (18 1, 2 × 30 5)

Campo San Basso North Side Church Recto Market Scene
The Campo San Basso: The North Side with the Church (Recto); A Market Scene (Verso); Canaletto (Giovanni Antonio Canal) (Italian, 1697 - 1768); 1740s; Pen and brown ink

CANALETTO: VENICE. Bucentaur returns to the pier in Venice on Ascension Day. Oil on canvas, c1729

VENICE: PIAZZA SAN MARCO. Piazza San Marco in Venice, Italy, looking towards the church of S. Geminiano, since demolished. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: CAMPO SAN POLO. Campo San Polo in Venice, Italy, with Palazzo Corner Mocenigo in the left background. Engraving, 1735, by Antonio Visentini after Canaletto

CANALETTO, Giovanni Antonio Canal, also called (1697-1768). Westminster Bridge from the North. Baroque art. Oil on canvas

Piazza di Monte Cavallo, Rome, Italy
Artist: Canaletto (imitator of) - Title: Piazza di Monte Cavallo, Rome, Italy - Date: N/A - Original Medium and Size: Oil on Canvas 71.8 x 111.4

A View on the Grand Canal Venice, c1740, (c1915). Artist: Canaletto
A View on the Grand Canal Venice, c1740, (c1915). Held by the National Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Campanile of St. Marks While Undergoing Repair in 1745, 1903. Artist: Canaletto
The Campanile of St. Marks While Undergoing Repair in 1745, 1903. From The Burlington Magazine for Connoisseurs, Volume 1 - March to May 1903. [The Burlington Magazine, Limited, London, 1903]

Ranelagh in 1752, after Canaletti, c1750, (1904). Artist: Charles Grignion
Ranelagh in 1752, after Canaletti, c1750, (1904). After Giovanni Antonio Canaletto (1697-1768). Ranelagh Gardens were public pleasure gardens located in Chelsea, then just outside London

The Canal in St. Jamess Park with the Queens House taken from the Parade, 1794, (1910). Artists: Unknown, John Stevens
The Canal in St. Jamess Park with the Queens House taken from the Parade, 1794, (1910). St Jamess Park is a 23-hectare (57-acre) park in the City of Westminster, central London

Northumberland House, Charing Cross, Westminster, c1753 (1911). Artist: Thomas Bowles
Northumberland House, Charing Cross, Westminster, c1753 (1911). Northumberland House was a large Jacobean townhouse, so called because it was the London residence of the Percy family

Old Walton Bridge, 1754. Artist: Canaletto
Old Walton Bridge, 1754. Painting held at the Dulwich Picture Gallery, London. From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]

Whitehall from Richmond House, 1746. Artist: Canaletto
Whitehall from Richmond House, 1746. Painting held at Goodwood House, Chichester. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

The Thames from Richmond House, 1746. Artist: Canaletto
The Thames from Richmond House, 1746. Painting held at Goodwood House, Chichester. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

Westminster Bridge, c1746. Artist: Canaletto
Westminster Bridge, c1746. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

Proession of the Order of the Bath, 1749, (1929). Artist: Canaletto
The Proession of the Order of the Bath, Westminster Abbey, London, 1749. The Most Honourable Order of the Bath (formerly the Most Honourable Military Order of the Bath)

Venice: The Feast Day of Saint Roch, 1735, (1938). Artist: Canaletto
Venice: The Feast Day of Saint Roch, 1735. Also known as Scuola Di San Rocco. The feast commemorated the end of the terrible plague of 1576. After an original work after Canaletto (1697-1768)

London from Islington City and East End. From a view by Canaletti, published 1753. Artist: Canaletto
London from Islington City and East End. From a view by Canaletti, published in 1753.Engraving from Old and New London Volume 2.by Walter Thornbury.Published by Cassell, Petter and Galpin. 1878

The Piazza, Venice, c1756 (1956). A view of St Marks Square with the basilica and campanile in the background. From the National Gallery, London

A coach in Rome, 18th century (1956). Detail from Piazza del Campidoglio by Bernardo Bellotto. Bellotto (1721-1780) was the nephew and pupil of Canaletto

The Piazza and Church of Santa Maria Maggiore in Rome, 1739. Artist: Bernardo Bellotto
The Piazza and Church of Santa Maria Maggiore in Rome, 1739. Originally built in the 5th century, the Basilica of Santa Maria Maggiore it is one of the four major papal basilicas of Rome

The Old Market Place in Dresden, c1750-c1752. Artist: Bernardo Bellotto
The Old Market Place in Dresden, c1750-c1752. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Market Place in Pirna, c1752-c1755. Artist: Bernardo Bellotto
The Market Place in Pirna, c1752-c1755. Pirna is a town near Dresden, Saxony, Germany. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

View of Pirna from the Sonnenstein Fortress, c1752-c1755. Artist: Bernardo Bellotto
View of Pirna from the Sonnenstein Fortress, c1752-c1755. Pirna is a town near Dresden, Saxony, Germany. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

View of Pirna from the right bank of the Elbe, c1753. Artist: Bernardo Bellotto
View of Pirna from the right bank of the Elbe, c1753. Found in the collection of the State Hermitage, St Petersburg

Venice, 18th century. Artist: Canaletto
Venice. Canaletto (1697-1768). Found in the collection of the State M. Ciurlionis Art Museum, Kaunas

View of Venice, 18th century. Artist: Canaletto
View of Venice. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

View of Murano from the Island San Pietro di Castello, 18th century. Artist: Canaletto
View of Murano from the Island San Pietro di Castello. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Buccentoros Return to the Pier at the Doges palace, 1730s. Artist: Canaletto
Buccentoros Return to the Pier at the Doges palace, 1730s. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Arrival of the French Ambassador in Venice, 1725-1726. Artist: Canaletto
Arrival of the French Ambassador in Venice, 1725-1726. Canaletto (1697-1768). Italy, Venetian School. Found in the collection of the State Hermitage, St. Petersburg

Bridge over the River and Santa Giustina, c1740-1780. Artist: Bernardo Bellotto
Bridge over the River and Santa Giustina, c1740-1780

Piazza San Marco and the Colonnade, 1756. Artist: Canaletto
Piazza San Marco and the Colonnade, 1756. St Marks Basilica and the campanile seen from beneath the colonnade of the Procuratie Nuove on the south side of the piazza

View of the Salute from the Entrance of the Grand Canal, Venice, c1727-1728. Artist: Canaletto
View of the Salute from the Entrance of the Grand Canal, Venice, c1727-1728. From the Collection Kaufman

View of the Grand Walk etc in Vauxhall Gardens taken from the Entrance, London, c1760. Artist: Edward Rooker
View of the Grand Walk etc in Vauxhall Gardens taken from the Entrance, London, c1760. Vauxhall Gardens was one of the great pleasure grounds of London and this image shows a formal avenue of trees

Reception of the French Ambassador in Venice, 1726-1727. Artist: Canaletto
Reception of the French Ambassador in Venice, 1726-1727. Detail. Found in the collection of The Hermitage, St Petersburg

The Campo di Rialto, 1758-1763, by Canaletto (1697-1768)
Canaletto (1697-1768). Italian painter. The Campo di Rialto, 1758-1763. Gemaldegalerie. Berlin. Germany

Piazetta and Riva degli Schiavoni in Venice by Antonio Canal
Antonio Canaletto (1697-1768). Italian painter. Piazetta and Riva degli Schiavoni in Venice. Alte Pinakothek. Munich. Germany

Canaletto (1697A?i?1768). The StonemasonA?o?s Yard (1726-1
Giovanni Antonio Canal (1697A?i?1768) known as Canaletto. Venetian painter. The StonemasonA?o?s Yard (1726-1730). Known as Campo San Vidal and Santa Maria della Carita. Oil painting

Venetian gondolier, 18th century, Italy, from a painting by Antonio Canaletto.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F

Panaromic View Bacino di San Marco Looking up
Artokoloro

Title plate Vedute altre prese da luoghi ideate
Artokoloro

Man Smoking Pipe recto Standing Man Two Studies
Artokoloro

Magnificent Pavilion Lagoon recto Grand Canal
Artokoloro

Lagoon Capriccio recto Architectural Scene verso
Artokoloro

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"Canaletto: Capturing the Essence of Venice's Grandeur" Step into the mesmerizing world of Canaletto, a renowned Italian artist whose masterpieces beautifully depict the enchanting city of Venice. With his keen eye for detail and impeccable skill, Canaletto transports us to a bygone era filled with elegance and grandeur. In "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, " painted in the 1730s, we are immersed in the bustling atmosphere of one of Venice's most iconic waterways. The vibrant colors and intricate architecture bring this scene to life as gondolas gracefully glide through its waters. Canaletto's talent extends beyond his beloved hometown; he also captured London's charm in works like "CANALETTO: THAMES. " This painting showcases his versatility as he portrays a different landscape while maintaining his signature attention to architectural details. One cannot mention Canaletto without mentioning his masterpiece "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" from 1833. Here we witness Venetians adorned in bauta masks enjoying a leisurely ride on a gondola. Their mysterious allure adds an air of intrigue to this already captivating scene. Another gem among Canaletto's collection is "VENICE: GRAND CANAL, " which presents Riva degli Schiavoni looking eastward. The play between light and shadow creates depth within each brushstroke, transporting viewers back in time to experience Venetian life firsthand. "The Square of Saint Mark s" captures another iconic location in Venice during 1742-1744. Canaletto expertly depicts every architectural detail surrounding this famous square while infusing it with an undeniable sense of vibrancy that only he could achieve. Moving along the canals once more brings us to "Grand Canal Looking South-East from the Campo Santa Sophia.