Palm Branch Collection

Egyptian decorations featuring feather, palm leaf, and lotus designs. Fan made of feathers 1
FLO4987817 Egyptian decorations featuring feather, palm leaf, and lotus designs. Fan made of feathers 1, feather horse headdress 2, 3, leaf fans 4-6, royal headdress 7, 8, lotus design 9, 10

The Livingstone Expedition in Africa - Dr. Livingstone's station [on] the Kongone River... 1860. Creator: Unknown
The Livingstone Expedition in Africa - Dr. Livingstone's station at the mouth of the Kongone River, on the Zambezi Delta, 1860. Engraving from a sketch by...T. Baines, Esq

The Entry into Jerusalem, c. 1513. Creator: Albrecht Altdorfer
The Entry into Jerusalem, c. 1513

The Entry into Jerusalem, c. 1513. Creator: Albrecht Altdorfer
The Entry into Jerusalem, c. 1513

Studio di Palma
Julija Belickienė

Palma doro in colour
Julija Belickienė

And I love mu Palms
Julija Belickienė

Resurrection of Christ, c. 1611-12 (oil on panel)
715402 Resurrection of Christ, c.1611-12 (oil on panel) by Rubens, Peter Paul (1577-1640); Sint-Janshospitaal, Bruges, Belgium; (add.info.: The panels show St. John the Baptist and St. Martina. )

Resurrection of Christ, c. 1611-12 (oil on panel)
715403 Resurrection of Christ, c.1611-12 (oil on panel) by Rubens, Peter Paul (1577-1640); Onze Lieve Vrouwkerk, Antwerp Cathedral, Belgium

The Feast of Tabernacles at the North London Synagogue, the Reader taking the Palm Branch (engraving)
1058149 The Feast of Tabernacles at the North London Synagogue, the Reader taking the Palm Branch (engraving) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

Allegory of Fame
KAB76932 Allegory of Fame by Conca, Sebastiano (1680-1764); Accademia di San Luca, Rome, Italy; eDario Grimaldi; Italian, out of copyright

The Entry into Jerusalem, 1547. Creator: Augustin Hirschvogel
The Entry into Jerusalem, 1547

La Sposa Romana (Bride), ca. 1580. Creator: Attributed to Pietro Bertelli
La Sposa Romana (Bride), ca. 1580

Saint Vincent, Patron Saint of Lisbon. Creator: Frey Carlos
Saint Vincent, Patron Saint of Lisbon

Saint Justina of Padua, 1490s. Creator: Bartolomeo Montagna
Saint Justina of Padua, 1490s

Palm Tree Shadow On a Sandy Beach, Guadeloupe, French West Indies
Vibrant turquoise water of the Caribbean Sea and shadows of palm trees on a sandy beach; Guadeloupe, French West Indies

Caribbean Sea and palm trees, Plage de la Caravelle, Sainte-Anne, Guadeloupe, French West Indies
Blue sky and turquoise water of the Caribbean Sea with palm trees along the seashore at Plage de la Caravelle, Sainte-Anne on Grande-Terre; Guadeloupe, French West Indies

Portrait Ruben Parduyn Knight Holy Sepulcher
Portrait of Ruben Parduyn, Ruben Parduyn. Knight of the Holy Sepulcher. Half-length, a palm branch in the right hand and the order mark around the neck. A later copy

Saint Catherine Alexandria Half figure palm branch
Saint Catherine of Alexandria, Saint Catherine. Half figure with a palm branch in the right hand, the left hand resting on the toothed wheel

A Holy Bishop seated holy bishop open book lap
A Holy Bishop, A seated holy bishop with an open book on his lap, behind him a palm branch. anonymous, Spain, 1475 - 1499, panel, oil paint (paint), h 87.2 cm × w 36.5 cm × t 2.5 cm d 7.5 cm

Charity landscape trees woman lying cloth breastfeeding
Charity, In a landscape among trees, a woman lying on a cloth is breastfeeding her child, holding a cross in her left hand. Another child is watching on the left

Saint Sebastian standing full-length stone niche
Saint Sebastian, standing full-length, in a stone niche. In the right hand an arrow, in the left hand a palm branch. the martyr Sebastian, possible attributes: arrow (s), bow, tree trunk, anonymous

Saint Ignatius Antioch holy bishop standing full-length
Saint Ignatius or Antioch, Saint Ignatius of Antioch. The holy bishop standing, full-length, bishops staff in the right hand, a heart with a palm branch in the left hand

Saint Catherine Half-figure oval mouth opened
Saint Catherine, Saint Catherine. Half-figure in oval, mouth opened and eyes raised. In the hands a piece of the wheel and a palm branch, the virgin martyr Catherine of Alexandria

Death St Cecilia saint lying floor two women
Death of St Cecilia, Death of St Cecilia. The saint is lying on the floor, two women are bending over her. In heaven Christ looks down at the scene

Allegory Constitution Dutch Virgin seated throne
Allegory of the Constitution, The Dutch Virgin, seated on a throne with a stick with a hat of liberty in hand, points to a chained figure in the foreground (the rejected Constitution)

Christ cross St. Cecilia Sancta Cecilia title
Christ on the cross and St. Cecilia Sancta Cecilia (title on object), Christ on the cross with Mary, Mary Magdalene and John the Baptist

Holy Apollonia Part series 24 representations
Holy Apollonia, Holy Apollonia. Part of a series of 24 representations of female martyrs (martyrologium). The performances feature borders with flowers and animals

Allegory honor Premium vertutisque honoris title
Allegory of the honor Premium vertutisque honoris (title on object), Allegory of honor with a putto with a laurel wreath, a palm branch and an olive branch in hand

Title print Germania inferior triumphal arch
Title print for Germania inferior, Title print for Germania inferior with a triumphal arch in the middle, flanked by two women

H Agnes Speculum Illustrium Virginum series title
H. Agnes Speculum Illustrium Virginum (series title), Saint Agnes standing in a landscape next to her the lamb. Agnes is holding a palm branch and a book in her hands

Truth ruler world Scenes Apocrypha Bible Book 3 Esdras
The Truth as ruler of the world Scenes from the Apocrypha Bible Book 3 Esdras, The personification of the Truth sits on a cloud, next to her a group of angels

Sea chart island Sardinia part coast North Africa Passport map
Sea chart of the island of Sardinia and a part of the coast of North Africa Passport map of the sea coasts of the eyland Sardinia with the coast of Barbaria, between the sea C. de Ferro and C. Bona

Passport Baltic Sea North Sea New Passport entire OosterzA
Passport of the Baltic Sea and the North Sea New Passport of the entire Oosterze and Noortze, Schip-Vaart, Op Nieuws uyt experience of Schrandre Stiermans Naaakeurig: Signed, and Saamen erected

Saint Ursula, Theodoor Galle, 1581 - 1633

Robed woman standing next plinth right hand bears
Artokoloro

Virgin Palm Branch 17th century Red chalk light tan paper
Artokoloro

Standing Youth Sword Palm Branch 15th century
Artokoloro

Source Size = 4972 x 3751
The Feast of Tabernacles at the North London Synagogue: the Reader Taking the Palm Branch

Barbara Villiers, Duchess of Cleveland as St. Catherine of Alexandria, c. 1665-70
BAL72304 Barbara Villiers, Duchess of Cleveland as St. Catherine of Alexandria, c.1665-70 (oil on canvas) by Lely, Peter (1618-80); 125.7x100

Saint Catherine (oil on panel)
XIR444231 Saint Catherine (oil on panel) by Bellini, Giovanni (c.1431-1516) (attr.to); Museo Civico, Padua, Italy; (add.info.: Sainte Catherine; ); Italian, out of copyright

St. Agnes (fresco)
XIR429094 St. Agnes (fresco) by Tommaso da Modena (1325-76); San Nicolo, Treviso, Italy; (add.info.: Agnes of Rome (c.291-c.304) virgin-martyr; ); Italian, out of copyright

The Nine Worthies and the Nine Worthy Women, detail of Teuta, c. 1418-30 (fresco)
XAL329463 The Nine Worthies and the Nine Worthy Women, detail of Teuta, c.1418-30 (fresco) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

St. Lucy (c. 283-c. 304) (grisaille)
XIR245101 St. Lucy (c.283-c.304) (grisaille) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Fuerstenberg Sammlung, Donaueschingen, Germany; German, out of copyright

The Virgin and Child with SS. Catherine and Agnes (oil on panel)
XIR243709 The Virgin and Child with SS. Catherine and Agnes (oil on panel) by Master of the Legend of St. Catherine (1460-1500); Musee du Berry, Bourges, France; Netherlandish, out of copyright

Portrait of Peter Hogerbeets, print maker: Jan Saenredam, Karel van Mander I, D. Heynsius, 1599

Portrait of Dirck Volckertsz Coornhert in allegorical frame, Theodor Matham, William II (Prince of Orange), 1647-1650

Victory holding a palm branch in his hand and holds a shield, that crowned with the cardinals hat, she sits on shields, weapons and breastplates, on both sides there are two men

All Professionally Made to Order for Quick Shipping

The palm branch, also known as Studio di Palma, holds a significant place in various aspects of art and religious symbolism. Its vibrant hue, resembling the golden Palma doro color, captivates the eye and evokes a sense of beauty. In religious art, the often associated with the Resurrection of Christ. One such masterpiece is "Resurrection of Christ" by an unknown artist from c. 1611-12. Painted with meticulous detail on panel using oil colors, this artwork portrays the triumphant moment when Jesus rises from death to eternal life. Another depiction featuring the they are be found in an engraving titled "The Feast of Tabernacles at the North London Synagogue. " Here, we witness a reader holding a Palm Branch during this Jewish festival that commemorates historical events and symbolizes gratitude for nature's abundance. Moving beyond religious contexts, artists have ingeniously incorporated palm branches into their works to convey different meanings. In "Allegory of Fame, " it represents victory and triumph as fame spreads its wings among mortals. "The Entry into Jerusalem" by Augustin Hirschvogel showcases how people welcomed Jesus with enthusiasm while waving palm branches as he entered Jerusalem before his crucifixion. This event signifies hope and salvation for believers worldwide. Palm branches even find their way into more gruesome scenes like "The martyrdom of Saint Erasmus. " Despite his suffering depicted vividly through innards being removed by putti angels, a small palm branch reminds us that even amidst pain and sacrifice, there is hope for eternal reward. In contrast to these intense portrayals lies "La Sposa Romana (Bride)" attributed to Pietro Bertelli. The delicate inclusion of a palm branch adds elegance to this ca. 1580 artwork depicting an Italian bride adorned in her wedding attire – perhaps signifying fertility or purity within marriage traditions. Furthermore, saints are often depicted holding palm branches as symbols of their virtues and martyrdom.