Poison Collection
"Unveiling the Enigmatic World of Poison: A Journey through Art and Nature" Step into a realm where danger lurks in every corner
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"Unveiling the Enigmatic World of Poison: A Journey through Art and Nature" Step into a realm where danger lurks in every corner, as we delve into the captivating world of poison. Circe Invidiosa, an enchanting masterpiece by John William Waterhouse, transports us to ancient mythology where toxic potions were brewed with sinister intent. Intriguingly intertwined with politics, poison seeps into unexpected realms. Labour Party election posters and television speakers echo with venomous words that aim to tarnish reputations and manipulate public opinion. Picture No. 10750866 captures this treacherous game of deceit. The Death of Socrates immortalizes a tragic moment when hemlock became synonymous with intellectual dissent. This oil on canvas masterpiece from 1787 reminds us that ideas can be as lethal as any substance. From art to nature's own laboratory, we encounter fascinating specimens like the Fly agaric mushroom engraving from 1895 or the Hellebore botanical engraving dating back to 1857. These illustrations reveal both beauty and peril within flora's delicate embrace. Curare, derived from Chondrodendron tomentosum, demonstrates how indigenous cultures harnessed poisons for hunting purposes while Deadly nightshade (Atropa belladonna) whispers tales of witches' brews and deadly allure. Yet amidst these dangers lie surprising revelations - The Great Lozenge-Maker offers a hint at hidden talents within unsuspecting individuals; John Leech's artwork from 1858 reminds us that even seemingly harmless figures may possess their own brand of poison. Nature continues its enigmatic dance between life and death - Snow morel (Gyromitra gigas) entices adventurous souls while hooded false mushrooms warn against carelessness. And there is solace in knowing that not all fungi are dangerous; Ramaria botrytis presents itself as an edible delight amid cautionary tales. As we explore Picture No.