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Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James
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Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James
Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. Jamess Street, London, August 12, 1821
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Media ID 20379843
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Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Cartoons Funny George Humphrey Hand Coloured Etching Humphrey Humphrey George Interested Lane Theodore Londoner Londoners News Pointing Princess Of Wales Print Seller Print Shop Publisher Publishers Queen Caroline Queen Consort Of George Iv Shop Window Theodore Theodore Lane Hand Tinted
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Honi. Soi. Qui. Mal. Y. Pense - The Caricature Shop of G. Humphrey, 27 St. James
EDITORS COMMENTS
. In this 19th-century print by Theodore Lane, we are transported to the bustling streets of London in August 1821, where we catch a glimpse of the lively and comical world inside "The Caricature Shop of G. Humphrey". This vibrant hand-colored etching showcases the wit and satire that defined British humor during this era. As our eyes wander through the scene, we are immediately drawn to a group of intrigued onlookers gathered around the shop window, their faces filled with amusement and curiosity. Among them is a woman who gestures animatedly towards one particular caricature, her laughter contagious as she shares her delight with those around her. Inside the shop stands George Humphrey himself, an esteemed publisher known for his humorous prints that often poked fun at prominent figures in society - including Caroline Amelia Elizabeth of Brunswick herself, Queen Consort to King George IV and subject of much public fascination at the time. Theodore Lane's meticulous attention to detail brings every character to life; from men pointing excitedly at various prints displayed on shelves behind Humphrey's counter to a mischievous gentleman engaging in playful banter with another customer nearby. This delightful snapshot captures not only a moment in history but also reflects how art has always been intertwined with social commentary and entertainment throughout centuries past—a testament to its enduring power even today.
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