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Canvas Print : The Art Of Blasphemy
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The Art Of Blasphemy
July 1958: Nuns evaluate a painting at an exhibition of modern art, organised by the Contemporary Art Society on the theme of religion, in London's Tate Gallery. (Photo by Frank Martin/BIPs/Getty Images)
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Frank Martin
Media ID 34408797
Back View Format Square Picture Exhibitions And Displays
20"x16" (51x41cm) Canvas Print
Experience the thought-provoking allure of Frank Martin's The Art of Blasphemy, now available as a stunning Canvas Print from Media Storehouse's Fine Art Storehouse collection. This iconic image captures the intrigue and controversy of the 1958 Tate Gallery exhibition, where nuns scrutinize a modern art piece. Our high-quality canvas prints bring the vibrant colors and textures of this masterpiece into your home or office, making it a captivating conversation starter. Embrace the power of art to provoke thought and inspire with Media Storehouse's Canvas Prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "The Art Of Blasphemy," captured by renowned photographer Frank Martin, we are transported back to July 1958 in London's Tate Gallery. The image depicts a group of nuns intently evaluating a painting at an exhibition of modern art organized by the Contemporary Art Society on the theme of religion.
From their back view, we can sense the seriousness with which these nuns approach the artwork before them. Their presence adds an intriguing layer to this scene, as they represent tradition and spirituality encountering contemporary artistic expression. It is as if they stand as guardians of faith, carefully examining whether these avant-garde creations align with their beliefs or challenge them.
The square format enhances the composition's balance and symmetry while emphasizing the timeless quality of this moment frozen in time. The absence of color further accentuates the contrast between old and new, tradition and innovation.
Frank Martin skillfully captures not only a specific event but also a broader cultural tension that existed during that era. This photograph invites us to reflect on how art has always been intertwined with religion throughout history – sometimes harmoniously coexisting, other times sparking controversy or even blasphemy.
As viewers, we find ourselves drawn into this thought-provoking scene where two worlds collide: religious devotion intersecting with artistic exploration. Through his lens, Martin offers us a glimpse into an important chapter in both art history and societal dynamics – reminding us that great art often challenges conventions and provokes meaningful dialogue about our deepest beliefs.
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