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Fugen, Muromachi Period (ink & colour on silk)
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Fugen, Muromachi Period (ink & colour on silk)
931412 Fugen, Muromachi Period (ink & colour on silk) by Eiga, Takuma (14th Century); 67.7x41.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Samantabhadra, is a bodhisattva in Mahayana Buddhism associated with Buddhist practice and meditation. ); Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer
Media ID 31971393
© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images
Bodhisattva Buddhism Buddhist Document Enlightened Enlightenment Monochrome Moonlight Muromachi Period Sage Scroll Wisdom Wise Bodhisatva Samantabhadra
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This print showcases the exquisite artwork of "Fugen, Muromachi Period" by Eiga Takuma, a renowned 14th-century artist. Painted on silk with ink and vibrant colors, this masterpiece measures 67.7x41.1 cm and is housed in the prestigious Freer Gallery of Art at the Smithsonian Institution in the USA. The focal point of this painting is Samantabhadra, a bodhisattva revered in Mahayana Buddhism for his association with meditation and Buddhist practice. The serene figure sits gracefully amidst a breathtaking landscape illuminated by moonlight. This depiction symbolizes enlightenment, wisdom, and spiritual growth. Eiga's attention to detail is evident as he portrays Samantabhadra reading from an ancient scroll or document, emphasizing his role as an enlightened sage imparting profound knowledge to those who seek it. The monochrome Japanese style adds depth and elegance to this artwork while capturing the essence of the Muromachi period's artistic sensibilities. "Fugen, Muromachi Period" serves as a testament to both religious devotion and artistic excellence during that era. Its presence in the Freer Gallery stands as a gift from Charles Lang Freer himself—a cherished addition that enriches our understanding of Buddhism's significance within Eastern cultures. Bridgeman Images has skillfully captured this remarkable piece through their lens, allowing us to appreciate its beauty even if we cannot witness it firsthand at the gallery itself.
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