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Fine Art Print : Fugen, Muromachi Period (ink & colour on silk)

Fugen, Muromachi Period (ink & colour on silk)



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Fugen, Muromachi Period (ink & colour on silk)

931412 Fugen, Muromachi Period (ink & colour on silk) by Eiga, Takuma (14th Century); 67.7x41.1 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Samantabhadra, is a bodhisattva in Mahayana Buddhism associated with Buddhist practice and meditation. ); Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer

Media ID 31971393

© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images

Bodhisattva Buddhism Buddhist Document Enlightened Enlightenment Monochrome Moonlight Muromachi Period Sage Scroll Wisdom Wise Bodhisatva Samantabhadra


21"x14" (+3" Border) Fine Art Print

Discover the timeless beauty of traditional Japanese art with our exquisite Fine Art Print of Fugen, a masterpiece from the Muromachi Period. This stunning work of art, featuring the deity Fugen, is an intricate composition of ink and color on silk, expertly crafted by Takuma Eiga during the 14th century. The Freer Gallery of Art at the Smithsonian Institution in the USA proudly houses this cultural treasure. Bring the serenity and elegance of ancient Japan into your home or office with our museum-quality print, a perfect addition to any art collection.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 29.6cm x 53.3cm (11.7" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Daniele Ricciardelli

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> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > Japan > Related Images

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases the exquisite artwork of "Fugen, Muromachi Period" by Eiga Takuma, a renowned 14th-century artist. Painted on silk with ink and vibrant colors, this masterpiece measures 67.7x41.1 cm and is housed in the prestigious Freer Gallery of Art at the Smithsonian Institution in the USA. The focal point of this painting is Samantabhadra, a bodhisattva revered in Mahayana Buddhism for his association with meditation and Buddhist practice. The serene figure sits gracefully amidst a breathtaking landscape illuminated by moonlight. This depiction symbolizes enlightenment, wisdom, and spiritual growth. Eiga's attention to detail is evident as he portrays Samantabhadra reading from an ancient scroll or document, emphasizing his role as an enlightened sage imparting profound knowledge to those who seek it. The monochrome Japanese style adds depth and elegance to this artwork while capturing the essence of the Muromachi period's artistic sensibilities. "Fugen, Muromachi Period" serves as a testament to both religious devotion and artistic excellence during that era. Its presence in the Freer Gallery stands as a gift from Charles Lang Freer himself—a cherished addition that enriches our understanding of Buddhism's significance within Eastern cultures. Bridgeman Images has skillfully captured this remarkable piece through their lens, allowing us to appreciate its beauty even if we cannot witness it firsthand at the gallery itself.

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