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Fine Art Print : 45536

45536



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45536

Media ID 33068748

© Bridgeman Images


21"x14" (+3" Border) Fine Art Print

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.5cm x 53.3cm (14" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Antoine Etex

> Fine Art Finder > Artists > Kitagawa Utamaro

> Fine Art Finder > Japanese Art

> Animals > Birds > Passerines > Accentors > Related Images

> Arts > Still life artwork > Textile fabric artworks

> Arts > Realistic drawings > Still life artwork > Fine art

> Asia > Japan > Related Images


VISUAL DESCRIPTION
This image is a vibrant example of ukiyo-e, a genre of Japanese woodblock prints that flourished during the Edo period (1603-1868). The scene captures an intimate moment in the daily life of women from this era. Three figures are depicted with intricate detail and rich patterns on their kimonos, showcasing the fashion and textile artistry of the time. The central figure stands gracefully by a partially opened door adorned with delicate foliage designs. Her kimono cascades in layers of reds and greens, suggesting her status or role within society. She appears to be engaged in conversation with another woman who sits elegantly on tatami mats, her own garment featuring harmonious green motifs complemented by subtle pink accents. In front lies an ornate mirror stand—a symbol of beauty rituals—its black lacquer surface reflecting nothing but its own elaborate floral decorations. This object anchors the composition while adding depth to the narrative about personal grooming and appearance's importance in cultural practices. The third woman attentively adjusts something out-of-frame, possibly assisting with dressing or providing another form of care. Their expressions convey calm focus and gentle camaraderie amidst their surroundings characterized by warm tones and soft lines. Together, these elements create a tableau that not only depicts aesthetic refinement but also offers insight into social interactions among women within historical Japanese society. It’s an evocative snapshot frozen in time through masterful artistic techniques that continue to captivate audiences centuries later.

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