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Piety Collection (#3)

"Exploring the Depths of Piety: A Glimpse into Art and Devotion" In the realm of art, piety finds its voice through masterpieces that transcend time

Background imagePiety Collection: The Seven Sorrows of Mary (oil on panel)

The Seven Sorrows of Mary (oil on panel)
471535 The Seven Sorrows of Mary (oil on panel) by Orley, Bernard van (c.1488-1541); 48x48 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imagePiety Collection: Calvary and the Family of Gillis de Smidt and Maria de Deckere (oil on panel)

Calvary and the Family of Gillis de Smidt and Maria de Deckere (oil on panel)
471470 Calvary and the Family of Gillis de Smidt and Maria de Deckere (oil on panel) by Key, Adriaen Thomasz (1544-90); 181x118 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imagePiety Collection: Portrait of a Monk (oil on panel)

Portrait of a Monk (oil on panel)
471534 Portrait of a Monk (oil on panel) by Flemish School, (15th century); 40.5x25.1x1 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imagePiety Collection: Monk in prayer 1858 (lithograph)

Monk in prayer 1858 (lithograph)
5305301 Monk in prayer 1858 (lithograph) by Sand, George (nee Dupin) (1804-76); (add.info.: Monk in prayer 1858. Lithograph by Amantine Lucile Dupin (1804-1876)

Background imagePiety Collection: The Lost Felice, c. 1939 (oil on canvas)

The Lost Felice, c. 1939 (oil on canvas)
3588519 The Lost Felice, c.1939 (oil on canvas) by Hartley, Marsden (1877-1943); 101.9x76.7 cm; Los Angeles County Museum of Art, CA

Background imagePiety Collection: Grace (oil on canvas)

Grace (oil on canvas)
XIR384527 Grace (oil on canvas) by Benard, Jean-Baptiste (fl.1751-c.1789); Musee des Beaux-Arts, Arras, France; (add.info.: La Benedicite; )

Background imagePiety Collection: King Canute and the tide, apocryphal anecdote illustrating the piety or humility

King Canute and the tide, apocryphal anecdote illustrating the piety or humility
Vintage illustration, King Canute and the tide an apocryphal anecdote illustrating the piety or humility of King Canute the Great, recorded in the 12th century by Henry of Huntingdon

Background imagePiety Collection: Devotions at church, illustration from La Femme a Paris by Octave Uzanne (1851-1931)

Devotions at church, illustration from La Femme a Paris by Octave Uzanne (1851-1931) 1894 (colour engraving)
REV326181 Devotions at church, illustration from La Femme a Paris by Octave Uzanne (1851-1931) 1894 (colour engraving) by Vidal, Pierre (b.1849) (after); Bibliotheque des Arts Decoratifs, Paris

Background imagePiety Collection: Gilt and enamel reliquary with emblems of the Four Evangelists, 1554 (oil on oak) (detail of 23361)

Gilt and enamel reliquary with emblems of the Four Evangelists, 1554 (oil on oak) (detail of 23361)
SOA344080 Gilt and enamel reliquary with emblems of the Four Evangelists, 1554 (oil on oak) (detail of 23361) by Eworth or Ewoutsz, Hans (fl.1520-74); Society of Antiquaries of London

Background imagePiety Collection: Grace, 1904 (oil on canvas)

Grace, 1904 (oil on canvas)
OVR371671 Grace, 1904 (oil on canvas) by Frovig, Ole (fl.1904); 83x100 cm; Haugesund Art Gallery, Norway; (add.info.: Bordbonn; ); Photo © O. Vaering

Background imagePiety Collection: Lady Julian of Norwich, illustration from The Mighty Army by Winifred M. Letts, pub

Lady Julian of Norwich, illustration from The Mighty Army by Winifred M. Letts, pub. 1912 (colour litho)
STC364360 Lady Julian of Norwich, illustration from The Mighty Army by Winifred M. Letts, pub. 1912 (colour litho) by Reid

Background imagePiety Collection: Saturday evening prayers, 1873 (oil on canvas)

Saturday evening prayers, 1873 (oil on canvas)
5906539 Saturday evening prayers, 1873 (oil on canvas) by Tidemand, Adolph (1814-76); 60x47 cm; Private Collection; (add.info.: Lordagsaften - Andakt); Photo © O. Vaering

Background imagePiety Collection: The Moving Finger writes; and, having writ (engraving)

The Moving Finger writes; and, having writ (engraving)
2788298 The Moving Finger writes; and, having writ (engraving) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: The Moving Finger writes; and, having writ)

Background imagePiety Collection: Female saint praying by the body of a dead man (fine pen & brown ink with brown wash)

Female saint praying by the body of a dead man (fine pen & brown ink with brown wash and heightening)
CTS404688 Female saint praying by the body of a dead man (fine pen & brown ink with brown wash and heightening) by Procaccini, Camillo (c.1560-1629); 19.5x11.8 cm; The Devonshire Collections

Background imagePiety Collection: Vision of St Philip Neri. Modelletto for The Vision of St Philip Neri in the Battistero di San

Vision of St Philip Neri. Modelletto for The Vision of St Philip Neri in the Battistero di San Giovanni (Siena)
5938163 Vision of St Philip Neri. Modelletto for The Vision of St Philip Neri in the Battistero di San Giovanni (Siena), 1680 (oil on canvas) by Morandi

Background imagePiety Collection: Queen Mary I, 1554 (oil on oak)

Queen Mary I, 1554 (oil on oak)
SOA23361 Queen Mary I, 1554 (oil on oak) by Eworth or Ewoutsz, Hans (fl.1520-74); 104 x 78.5 cm; Society of Antiquaries of London

Background imagePiety Collection: The Penitent St. Jerome (oil on panel)

The Penitent St. Jerome (oil on panel)
XOU231291 The Penitent St. Jerome (oil on panel) by Giampietrino, Giovanni Pietro Rizzoli (fl.c.1495-1521); 49x37.7 cm; Musee des Beaux-Arts, Rouen, France

Background imagePiety Collection: Saying Grace, 1900 (oil on canvas)

Saying Grace, 1900 (oil on canvas)
OVR395281 Saying Grace, 1900 (oil on canvas) by Sundt-Hansen, Carl (1841-1907); 39x23.5 cm; Bergen Art Museum, Norway; Photo © O. Vaering

Background imagePiety Collection: Denarius (Coin) Portraying Empress Julia Maesa, 218. Creator: Unknown

Denarius (Coin) Portraying Empress Julia Maesa, 218. Creator: Unknown
Denarius (Coin) Portraying Empress Julia Maesa, 218. Reverse: personification of Piety. Minted in Antioch

Background imagePiety Collection: Annunciation Triptych (Merode Altarpiece), c. 1427-32 (oil on oak)

Annunciation Triptych (Merode Altarpiece), c. 1427-32 (oil on oak)
3432899 Annunciation Triptych (Merode Altarpiece), c.1427-32 (oil on oak) by Master of Flemalle, (Robert Campin) (1375/8-1444); 64.5x27.3 cm; Metropolitan Museum of Art, New York

Background imagePiety Collection: The Cold Water Army Pledge, 1842 (litho)

The Cold Water Army Pledge, 1842 (litho)
745905 The Cold Water Army Pledge, 1842 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts, USA; (add.info.: The Cold Water Army Pledge by Charles J)

Background imagePiety Collection: The Pilgrims, 1870 (oil on canvas)

The Pilgrims, 1870 (oil on canvas)
3122654 The Pilgrims, 1870 (oil on canvas) by Pryanishnikov, Illarion Mikhailovich (1840-94); Tretyakov Gallery, Moscow, Russia; Photo eFine Art Images; Russian, out of copyright

Background imagePiety Collection: St. John the Evangelist (oil on canvas)

St. John the Evangelist (oil on canvas)
1073453 St. John the Evangelist (oil on canvas) by Dolci, Carlo (1616-86); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imagePiety Collection: The Palace Beautiful, Discretion, Prudence, Piety, and Charity (engraving)

The Palace Beautiful, Discretion, Prudence, Piety, and Charity (engraving)
3625310 The Palace Beautiful, Discretion, Prudence, Piety, and Charity (engraving) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: The Palace Beautiful, Discretion, Prudence, Piety)

Background imagePiety Collection: The Puritan, 1883-86 (bronze)

The Puritan, 1883-86 (bronze)
3614055 The Puritan, 1883-86 (bronze) by Saint-Gaudens, Augustus (1848-1907); 77.5 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: Chester W)

Background imagePiety Collection: Portrait of a Carthusian, 1446 (oil on wood)

Portrait of a Carthusian, 1446 (oil on wood)
3615921 Portrait of a Carthusian, 1446 (oil on wood) by Christus, Petrus (c.1410-1475/76); 29.2x21.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The Carthusian Order)

Background imagePiety Collection: Adoration of The Lamb, 1884 (stained glass)

Adoration of The Lamb, 1884 (stained glass)
3475428 Adoration of The Lamb, 1884 (stained glass) by Holiday, Henry (1839-1927); Church of St Thomas the Martyr, Upholland, Lancashire, UK; (add.info.: Up Holland, St Thomas, JPS, HH)

Background imagePiety Collection: Title-page to Thomas Youngs Dies Dominica, 1639 (woodcut)

Title-page to Thomas Youngs Dies Dominica, 1639 (woodcut)
618946 Title-page to Thomas Youngs Dies Dominica, 1639 (woodcut) by English School, (17th century); Private Collection; (add.info)

Background imagePiety Collection: St Carlo Borromeo in Prayer (stone)

St Carlo Borromeo in Prayer (stone)
704381 St Carlo Borromeo in Prayer (stone) by Raggi, Antonio (1624-86); San Carlo alle Quattro Fontane, Rome, Italy; (add.info.: Charles Borromeo (1538-84)

Background imagePiety Collection: From a Brass, in the Church of St Mary Key Ipswich, 1525

From a Brass, in the Church of St Mary Key Ipswich, 1525
LLM458030 From a Brass, in the Church of St Mary Key Ipswich, 1525 by Shaw, Henry (1800-73); Private Collection; (add.info.: From a Brass, in the Church of St Mary Key Ipswich, 1525)

Background imagePiety Collection: A Pelican in her Piety, early 17th century (pen & brown ink with brown wash)

A Pelican in her Piety, early 17th century (pen & brown ink with brown wash)
CTS449143 A Pelican in her Piety, early 17th century (pen & brown ink with brown wash) by Passe, Crispin I de (c.1565-1637); 9.5x9.5 cm; eThe Devonshire Collections

Background imagePiety Collection: The Immaculate Conception, c. 1680 (oil on canvas)

The Immaculate Conception, c. 1680 (oil on canvas)
499510 The Immaculate Conception, c.1680 (oil on canvas) by Murillo, Bartolome Esteban (1618-82); 246.30x152.70 (framed) 220.50x127.50 (unframed) cm; Cleveland Museum of Art, OH

Background imagePiety Collection: Sacred Heart of Jesus surrounded by angels, c. 1775 (oil on canvas)

Sacred Heart of Jesus surrounded by angels, c. 1775 (oil on canvas)
REV407334 Sacred Heart of Jesus surrounded by angels, c.1775 (oil on canvas) by Paez, Jose de or Joseph (1720-90); Museo Soumaya, Mexico City, Mexico; Mexican, out of copyright

Background imagePiety Collection: Chapel in the Woods (oil on canvas)

Chapel in the Woods (oil on canvas)
AKV406791 Chapel in the Woods (oil on canvas) by Spitzweg, Carl (1808-85); Private Collection; (add.info.: Die Waldkapelle; ); eAckermann Kunstverlag; German, out of copyright

Background imagePiety Collection: The Madonna del Bacio at San Marco, Venice, 1882 (oil on canvas)

The Madonna del Bacio at San Marco, Venice, 1882 (oil on canvas)
XIR375724 The Madonna del Bacio at San Marco, Venice, 1882 (oil on canvas) by Meissonier, Jean-Louis Ernest (1815-91); 49 x 36 cm; Louvre, Paris

Background imagePiety Collection: St. Martin Cutting his Cloak (coloured chalks on paper)

St. Martin Cutting his Cloak (coloured chalks on paper)
PNH430974 St. Martin Cutting his Cloak (coloured chalks on paper) by Burne-Jones, Edward Coley (1833-98); 122x58.5 cm; Private Collection; (add.info)

Background imagePiety Collection: The Vision of St. Philip Neri, 1721 (oil on canvas)

The Vision of St. Philip Neri, 1721 (oil on canvas)
FIT443721 The Vision of St. Philip Neri, 1721 (oil on canvas) by Benefial, Marco (1684-1764); 98.8x65 cm; Fitzwilliam Museum, University of Cambridge

Background imagePiety Collection: Pelican in its Piety, Fraktur Painting, c. 1810 (pen & ink with w / c on paper)

Pelican in its Piety, Fraktur Painting, c. 1810 (pen & ink with w / c on paper)
1562640 Pelican in its Piety, Fraktur Painting, c.1810 (pen & ink with w/c on paper) by Kulp, David (1777-1834); Free Library of Philadelphia; (add.info)

Background imagePiety Collection: Study for St. Elisabeth and her confessor Conrad of Marburg in 1230 (w / c on paper) (see 372079)

Study for St. Elisabeth and her confessor Conrad of Marburg in 1230 (w / c on paper) (see 372079)
BFM372085 Study for St. Elisabeth and her confessor Conrad of Marburg in 1230 (w/c on paper) (see 372079) by Janssen, Peter Johann Theodor (1844-1908); 28.4x29.2 cm; Marburger Alten Aula, Marburg

Background imagePiety Collection: St. Elisabeth and her confessor Conrad of Marburg in 1230, 1903 (oil on panel)

St. Elisabeth and her confessor Conrad of Marburg in 1230, 1903 (oil on panel)
BFM372079 St. Elisabeth and her confessor Conrad of Marburg in 1230, 1903 (oil on panel) by Janssen, Peter Johann Theodor (1844-1908); Marburger Alten Aula, Marburg

Background imagePiety Collection: The Treasure of Guarrazar (colour litho)

The Treasure of Guarrazar (colour litho)
CHT293201 The Treasure of Guarrazar (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imagePiety Collection: The Scottish Knight on one knee watched as the veiled nuns walked past

The Scottish Knight on one knee watched as the veiled nuns walked past
STC308595 The Scottish Knight on one knee watched as the veiled nuns walked past, illustration for The Talisman: A Tale of the Crusaders by Sir Walter Scott (colour litho) by Vedder

Background imagePiety Collection: Young Nun (oil on canvas)

Young Nun (oil on canvas)
Ma271396 Young Nun (oil on canvas) by John, Gwen (1876-1939); 57x38 cm; Private Collection; Photo eThe Ms Gallery, London; Welsh, out of copyright

Background imagePiety Collection: Pilgrims on Mount Arafa on the 9th day of Dhul-Hijjah, 1918 (colour litho)

Pilgrims on Mount Arafa on the 9th day of Dhul-Hijjah, 1918 (colour litho)
CHT290537 Pilgrims on Mount Arafa on the 9th day of Dhul-Hijjah, 1918 (colour litho) by Dinet, Alphonse Etienne (1861-1929); Private Collection; (add.info)

Background imagePiety Collection: Young Christian Girl, 1894 (oil on canvas)

Young Christian Girl, 1894 (oil on canvas)
CLK339901 Young Christian Girl, 1894 (oil on canvas) by Gauguin, Paul (1848-1903); 65.3x46.7 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French, out of copyright

Background imagePiety Collection: Knelt in Prayer (w / c on paper)

Knelt in Prayer (w / c on paper)
PNH349125 Knelt in Prayer (w/c on paper) by Absolon, John (1815-95); 39x31.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright



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"Exploring the Depths of Piety: A Glimpse into Art and Devotion" In the realm of art, piety finds its voice through masterpieces that transcend time. Jean Francois Millet's "The Angelus, 1857-1859" captures a moment of profound devotion, reminding us to pause and reflect on our spiritual connection. Another depiction emerges in "The Venerable Bede translating the last chapter of St John, " an illustration from "An Outline of Christianity. " This timeless image transports us back to a bygone era when faith was intertwined with scholarly pursuits. John Wesley's portrait from 1788 reveals a man whose unwavering dedication to God shaped his life and teachings. His countenance radiates piety as he stands as a testament to religious fervor during his time. Armand Jean le Bouthillier de Rance, depicted both in an engraving and an oil painting, exemplifies piety through his role as abbot. His commitment to monastic life serves as inspiration for those seeking spiritual enlightenment. St. Bruno's portrayal in "Praying in the Desert" showcases the power of solitude and contemplation in fostering deep connections with divinity. The canvas whispers stories of devotion amidst desolation. Thomas Becket's act of washing beggars' feet captured in an engraving reminds us that true piety lies not only in prayer but also in humble service towards others, and is a call to embrace compassion alongside our reverence for higher powers. Stephan Paumgartner portrayed as Saint George reflects how individuals intertwine their personal identity with saintly figures, finding strength and guidance within their chosen patron saints. Santiago de Compostela Cathedral stands tall against the Galician landscape—a beacon drawing countless pilgrims seeking solace or expressing gratitude for divine intervention along their arduous journeys. Its grandeur speaks volumes about collective acts of faith.