Piety Collection (#8)

The Nativity of Cardinal Rolin (oil on panel)
XJL95114 The Nativity of Cardinal Rolin (oil on panel) by Master of Moulins, (fl.c.1483-c.1529) (attr. to); Musee Rolin, Autun, France; French, out of copyright

Saint John in the Desert, c1445-1450. Artist: Domenico Veneziano
Saint John in the Desert, c1445-1450. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Prudence, Piety, Charity and Discretion inviting Christian into the Palace Beautiful, 1789, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

L Enfance De Jeanne D Arc, c1918, (1919). Artist: Edward Reginald Frampton
L Enfance De Jeanne D Arc, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Father Ignatius, c1891. Artist: W&D Downey
Father Ignatius, c1891. Joseph Leycester Lyne (1837-1908), known as Father Ignatius of Jesus, an Anglican Benedictine monk, who introduced monasticism into the Church of England

First part of King Henry VI. Act 5. Scene 4. Joan la Pucelle & Fiends, 1795. Artist: Anker Smith
First part of King Henry VI. Act 5. Scene 4. Joan la Pucelle & Fiends, 1795. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

Tomb of Pope Clement XIII, St Peters Basilica, Rome, Italy. Artist: Underwood & Underwood
Tomb of Pope Clement XIII, St Peters Basilica, Rome, Italy. Clement XIII was Pope from 1758 until 1769. His tomb monument was sculpted by Antonio Canova between 1783 and 1792

The White Monk II, c1775, (1938). Artist: Richard Wilson
The White Monk II, c1775, (1938). Original painting held at the Smith College Museum of Art, Northampton, USA. From A Catalogue of the Pictures

The White Monk, c1765, (1938). Artist: Richard Wilson
The White Monk, c1765, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

St Elizabeth of Hungary, 1886. Elizabeth (1207-1231) was the daughter of Andras II of Hungary. After the death in 1227 of her husband Louis IV, Landgrave of Thuringia, from plague while on crusade

Piety and Alms, c1921. Artist: Jose Maria Rodriguez Acosta
Piety and Alms, c1921. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Tobit, c1470, (1843). Artist: Henry Shaw
Tobit, c1470, (1843). Tobit, blind and sick, has just dispatched his son Tobias to the city of Rages. The woman cooking is his wife Anna. She is using a jack to hang the pot over the fire

Nikolaus Ludwig von Zinzendorf, German religious and social reformer, (1854). Count Nicolaus Ludwig von Zinzendorf (1700-1760) was a pupil of Francke and convert to pietism

Relief figure of St Magnus from Kirkwall Cathedral, Orkney. (20th century). Artist: CM Dixon
Relief figure of St. Magnus from Kirkwall Cathedral, Orkney. (20th century). Earl of Orkney from 1106 to 1115, Magnus the Martyr had a reputation for piety and gentleness

Anne of Brittany (1476-1514), Duchess of Brittany and Queen of France. Anne married Charles VIII of France in 1491, then after Charles death, married Louis XII in 1499

Tomb of St Elizabeth of Hungary, 1878. Elizabeth (1207-1231) was the daughter of Andras II of Hungary. After the death in 1227 of her husband Louis IV, Landgrave of Thuringia

St Elizabeth of Hungary, 1878. Elizabeth (1207-1231) was the daughter of Andras II of Hungary. After the death in 1227 of her husband Louis IV, Landgrave of Thuringia, from plague while on crusade

St Elizabeth of Hungary and St Lucy, 1878. Elizabeth (1207-1231) was the daughter of Andras II of Hungary. After the death in 1227 of her husband Louis IV, Landgrave of Thuringia

Count Nicolaus Ludwig von Zinzendorf (1700-1760), German theologian. Pupil of Francke and convert to pietism. Revived Moravian Church, aided its establishment in America. Wood engraving

Philip Melanchthon the German Protestant reformer, c18th century. Engraving after original likeness by Durer

Philip Melanchthon (1497-1560) the German Protestant reformer
Philip Melanchthon the German Protestant reformer, 1497-1560. Portrait after Holbein

Richard III - pretending he is too holy to want to become king. 1862

Lady Mary Armine
LADY MARY ARMINE wife of sir William A. remarkable for her learning, piety and benevolence, Date: ? - 1676

Elizabeth Hungary / Schlei
SAINT ELIZABETH OF HUNGARY Married Louis IV. Spent enormous amounts on Hospitals and providing for orphaned children. Date: 1207 - 1231

Vianney Photo
SAINT J B M VIANNEY known as the Cure d Ars, French churchman, persecuted by demons who disapproved of his piety. Photo 1858 Date: 1786 - 1818

Katharine Henry
KATHARINE HENRY wife of Philip Henry, nonconformist minister at Worthenbury, mother of Matthew Henry, bible commentator, renowned for her piety. Date: 1628 - 1707

Francesco I d Este Discomfort Displays Piety
Artokoloro

Crucifixion ca 1330-35 Avignon France Italian
Artokoloro

Pie-Us Ecstacy Godliness Itinerant Preachers
Artokoloro

Praying Angels Poppies Border Design Thomas Malory
Artokoloro

Piety, Love, Sorrow
PIETY, LOVE, SORROW

Repentant Mary Magdalene, 1560s (oil on canvas)
XIR898231 Repentant Mary Magdalene, 1560s (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 118x97 cm; State Hermitage Museum, St

Hei! Degeror O! I am undone! Circa 1724 (etching)
XJF863049 Hei! Degeror O! I am undone! Circa 1724 (etching) by English School, (18th century); Private Collection; (add.info.: Satire on John Heidegger and the masquerades which he promoted)

Saint Bernardino of Siena with two Donors, 1460-70 (oil on panel)
XIR741498 Saint Bernardino of Siena with two Donors, 1460-70 (oil on panel) by Villatte, Pierre (fl. 1460-70) (attr. to); 37 x 68 cm; Musee Grobet-Labadie, Marseille

Crucifixion and Entombment, central panel of the Retable of the Passion, 1517-20
XIR741480 Crucifixion and Entombment, central panel of the Retable of the Passion, 1517-20 (tempera on panel) by Ronzen, Antonio (fl.1500-25); Basilica of Mary Magdalene, St

Virgin Protector, c. 1417 (tempera on panel)
XIR52273 Virgin Protector, c.1417 (tempera on panel) by French School, (15th century); 148x198 cm; Musee Crozatier, Le Puy-en-Velay, France; French, out of copyright

Lukas Paumgartner portrayed as Saint Eustace, right panel of the Paumgartner Altarpiece, c
XIR498139 Lukas Paumgartner portrayed as Saint Eustace, right panel of the Paumgartner Altarpiece, c.1500 (tempera on panel) (see also 495745) by DAOErer or Duerer

Paumgartner Altarpiece, c. 1500 (tempera on panel) (see also 61057 and 331713)
BAL495745 Paumgartner Altarpiece, c.1500 (tempera on panel) (see also 61057 and 331713) by DAOErer or Duerer, Albrecht (1471-1528); 155x126.1 cm; Alte Pinakothek, Munich

Effigy from the tomb of Beatrix Cornel, Prioress of the Lady Hospitallers of St. John of Jerusalem
KW478236 Effigy from the tomb of Beatrix Cornel, Prioress of the Lady Hospitallers of St. John of Jerusalem, from Military and Religious Life in the Middle Ages by Paul Lacroix

Anne of Brittany, c. 1880 (colour litho)
KW441326 Anne of Brittany, c.1880 (colour litho) by English School, (19th century); Private Collection; (add.info.: Illustration from Military and Religious Life in the Middle Ages by Paul Lacroix)

The Virgin of the Sacred Heart, 1821 (oil on canvas)
XIR418428 The Virgin of the Sacred Heart, 1821 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 258 x 152 cm; Ajaccio Cathedral, Ajaccio

Saint Hubert and donor (oil on panel) (see also 404573 and 404575)
XIR404574 Saint Hubert and donor (oil on panel) (see also 404573 and 404575) by Sint Jans (de Saint-Jean), Gerrit tot (c.1465-c.95); Narodni Galerie, Prague

Detail of The Annunciation (fresco) (detail of 394520)
XBP394522 Detail of The Annunciation (fresco) (detail of 394520) by Lorenzetti, Ambrogio (1285-c.1348) & Pietro (c.1284-c.1345); San Galgano, Montesiepi, Tuscany

Fragments of heads (fresco)
XBP394526 Fragments of heads (fresco) by Masolino da Panicale, Tommaso (1383-c.1447); 190x76 cm; (add.info.: location detailed as Sant Agostino; ); Photo eBoltin Picture Library; Italian

Festival of Our Lady at Gennazzano, Roman Campagna, Italy, 1865 (oil on canvas)
XIR392234 Festival of Our Lady at Gennazzano, Roman Campagna, Italy, 1865 (oil on canvas) by Achenbach, Oswald (1827-1905); 135 x 110 cm; Musee d Orsay, Paris

Francois de Paris (engraving) (b / w phto)
XIR382709 Francois de Paris (engraving) (b/w phto) by French School, (18th century); Musee d Art et d Histoire, Argenteuil

The children of Jean I Jouvenel des Ursins (1360-1431) and his wife, Michelle de Vitry (d
XIR375727 The children of Jean I Jouvenel des Ursins (1360-1431) and his wife, Michelle de Vitry (d.1456), 1445-49 (oil on panel) (detail of 375725) by French School

Jean I Jouvenel des Ursins (1360-1431) with his wife, Michelle de Vitry (d. 1456) and their family
XIR375725 Jean I Jouvenel des Ursins (1360-1431) with his wife, Michelle de Vitry (d.1456) and their family, 1445-49 (oil on panel) by French School, (15th century); 165 x 350 cm; Louvre, Paris

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"Exploring the Depths of Piety: A Glimpse into Art and Devotion" In the realm of art, piety finds its voice through masterpieces that transcend time. Jean Francois Millet's "The Angelus, 1857-1859" captures a moment of profound devotion, reminding us to pause and reflect on our spiritual connection. Another depiction emerges in "The Venerable Bede translating the last chapter of St John, " an illustration from "An Outline of Christianity. " This timeless image transports us back to a bygone era when faith was intertwined with scholarly pursuits. John Wesley's portrait from 1788 reveals a man whose unwavering dedication to God shaped his life and teachings. His countenance radiates piety as he stands as a testament to religious fervor during his time. Armand Jean le Bouthillier de Rance, depicted both in an engraving and an oil painting, exemplifies piety through his role as abbot. His commitment to monastic life serves as inspiration for those seeking spiritual enlightenment. St. Bruno's portrayal in "Praying in the Desert" showcases the power of solitude and contemplation in fostering deep connections with divinity. The canvas whispers stories of devotion amidst desolation. Thomas Becket's act of washing beggars' feet captured in an engraving reminds us that true piety lies not only in prayer but also in humble service towards others, and is a call to embrace compassion alongside our reverence for higher powers. Stephan Paumgartner portrayed as Saint George reflects how individuals intertwine their personal identity with saintly figures, finding strength and guidance within their chosen patron saints. Santiago de Compostela Cathedral stands tall against the Galician landscape—a beacon drawing countless pilgrims seeking solace or expressing gratitude for divine intervention along their arduous journeys. Its grandeur speaks volumes about collective acts of faith.