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Metal Print : 1863 Huxley from Ape to Man, age-toned
Metal Prints from Science Photo Library
1863 Huxley from Ape to Man, age-toned
Ordered series of primate skeletons. The Frontis engraving by Waterhouse Hawkins from the first edition of Huxleys 1863 " Evidences as to Mans Place in Nature". In this book Huxley presented his evidence that man was descended from the apes. It was published in reaction to Darwins " On the Origin of Species" 1859. Though this image is often interpreted as indicating a line of descent, it is more intended to show ordered variation in limb bones and posture as well as the clear skeletal similarities in the group. The image has been quoted as an inspiration for Rudolph Zalingers famous Time-Life 1965 image " The Road to Homo Sapiens" (page 40-45, Nature Library Early Man). That iconic image has become known as " The March of Progress". The artist for this work, Benjamin Waterhouse Hawkins, was famous for his pioneering dinosaur reconstructions but lectured against Darwinian evolution
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6315151
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
Comparative Darwin Descent Evolution Hominid Homo Human Origins Huxley Origin Of Species Th Huxley
14"x11" (28x35cm) Metal Print
Discover the evolutionary journey of primates with our stunning Media Storehouse Metal Prints featuring the iconic 1863 Huxley "Ape to Man" image by Paul D. Stewart from Science Photo Library. This captivating print showcases the age-toned frontispiece engraving by Waterhouse Hawkins from Thomas H. Huxley's seminal work "Evidences as to Mans Place in Nature." Each Metal Print is meticulously crafted to bring out the intricate details and rich textures of this historic image. Elevate your home or office décor with this educational and thought-provoking piece, a must-have for history enthusiasts, natural history museums, and science lovers.
Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 35.5cm x 27.9cm (14" x 11")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the 1863 Huxley from Ape to Man illustration, age-toned to evoke a sense of historical significance. The image is a frontis engraving by Benjamin Waterhouse Hawkins, featured in the first edition of Thomas Henry Huxley's renowned book "Evidences as to Man's Place in Nature". Published as a response to Charles Darwin's groundbreaking work "On the Origin of Species" in 1859, Huxley presents compelling evidence supporting the theory that humans descended from apes. While many interpret this image as depicting a linear progression of evolution, its true intention lies in illustrating ordered variation in limb bones and posture among primate skeletons. It also highlights the striking skeletal similarities within this group. Interestingly, this artwork served as an inspiration for Rudolph Zallinger's iconic Time-Life image titled "The Road to Homo Sapiens" published in 1965 under the Nature Library Early Man series. This famous depiction has come to be known as "The March of Progress". Notably, Benjamin Waterhouse Hawkins was renowned for his pioneering reconstructions of dinosaurs but held lectures opposing Darwinian evolution. His artistic talent shines through in this thought-provoking piece that continues to spark discussions on human origins and our place within nature. Paul D. Stewart expertly captures the essence and historical significance of this remarkable artwork through his skillful photography.
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